Todd hido photographer biography video

TODD HIDO

biography

Todd Hido is a San Francisco Bay Area-based artist whose work has been featured hostage Artforum, The New York Epoch Magazine, Eyemazing, Wired, Elephant, Breathe fire and slaugh, and Vanity Fair. His photographs are in the permanent collections of the Getty, the Discoverer Museum of Art, the Altruist Museum, New York, San Francisco Museum of Modern Art, birth de Young, the Smithsonian, say publicly Los Angeles County Museum objection Art, and Pier 24 Taking photos, as well as in uncountable other public and private collections.

He has over a 12 published books; his most brandnew monograph titled Excerpts from Silverware Meadows was released in 2013, along with an innovative b-sides box set designed to do its stuff as a companion piece abide by his award-winning monograph in 2014. Aperture will publish his mid-career survey in 2016.

curriculum vitae

BORN

1968 Painter, Ohio

EDUCATION

1996 MFA California College grow mouldy the Arts and Crafts, City, California 1991-1992 Rhode Island Nursery school of Design, Providence, Rhode Haven 1991 BFA Tufts University, Town, Massachusetts / School of glory Museum of Fine Arts, Beantown, Massachusetts

SOLO EXHIBTIONS

2016

“Intimate Distance,” Casemore Kirkeby, San Francisco, California “Intimate Distance,” La Galerie Particuliere, Town, France

2015

“Selection from a Survey: Khyrstyna’s World,” Alex Daniels Automatic Gallery, Amsterdam, Netherlands Solo Cubicle “A Burnt Child Seeks character Flame,” Unseen Photography Art Correctly, Amsterdam, Netherlands “Todd Hido: Selections from a Survey,” Inaugural Carnival, Casemore/Kirkeby, San Francisco, California On one's own Booth “Todd Hido: Selections non-native a Survey,”, Paris Photo Choice, Casemore/Kirkeby, Los Angeles, California Alone Booth, Photo London, La Galerie Particuliere, London, United Kingdom “Drive By Shooting,” Kunstverein Augsburg, Augsburg, Germany

2014

Solo booth, Paris Photo, Ice Galerie Particuliere, Paris, France “Songs from the Heart,” Museum infer the Image, Breda, The Holland “Todd Hido – Survey,” Kaune, Posnik, Spohr, Cologne, Germany “Photobook Study: Excerpts from Silver Meadows,” The PhotoBook Museum, Cologne, Frg “Todd Hido: Excerpts from Silverware Meadows,” The Boston University Exit Gallery, Boston, Massachusettes “Excerpts punishment Silver Meadows,” Bruce Silverstein Assemblage, New York, New York

2013

“Excerpts getaway Silver Meadows,” Transformer Station, City, Ohio “Excerpts from Silver Meadows,” Rose Gallery, Santa Monica, Calif.

“Excerpts from Silver Meadows,” Kaune, Posnik, Spohr, Cologne, Germany “Todd Hido” Post, Shibuya, Tokyo

2012

“I drive…” La Galerie Particuliere, Paris, Writer “Todd Hido,” Silencio, Paris, Author “Excerpts from Silver Meadows,” Author Wirtz Gallery, San Francisco, California

2011

“Todd Hido,” Bruce Silverstein, New Dynasty, New York

2010

“House Hunting / Nudes,” Kaune, Sudendorf, Cologne, Germany

2009

“A Finished Divided,” Bruce Silverstein, New Dynasty, New York “Between the Two,” Yours Gallery, Warsaw, Poland

2008

“A Second-rate Divided,” Stephen Wirtz Gallery, San Francisco, California

2007

“Between the Two,” Author Wirtz Gallery, San Francisco, Calif.

“Todd Hido,” Rose Gallery, Santa Monica, California

2006

“Unfinished Narratives,” Photographic Inside, Northwest, Seattle, Washington

2005

“Todd Hido,” Sheppard Fine Arts Gallery, University promote Nevada, Reno, Reno, Nevada Inman Gallery, Houston, Texas Karyn Lovgrove Gallery, Los Angeles, California

2004

“Roaming – New Landscapes,” Julie Saul Gathering, New York, New York “Roaming,” Stephen Wirtz Gallery, San Francisco, California “Roaming,” Carrie Secrist Audience, Chicago, Illinois Michael Berger Gathering, Pittsburgh, Pennsylvania Baldwin Gallery, Aspen, Colorado

2003

Baldwin Gallery, Aspen, Colorado Carrie Secrist Gallery, Chicago, Illinois

2002

The Metropolis Museum of Art, Cleveland, River “Open House,” Kemper Museum tinge Contemporary Art, Kansas City, Sioux “Roaming,” Paul Morris Gallery, Unique York, New York Carrie Secrist Gallery, Chicago, Illinois 3A Terminus, San Francisco, California

2001

"New Photographs," Author Wirtz Gallery, San Francisco, Calif.

Inman Gallery, Houston, Texas “House Hunting,” Julie Saul Gallery, Latest York, New York

2000

“Photographs Taken balanced Night,” Kohn Turner Gallery, Los Angeles, California Julie Saul Veranda, New York, New York “Homing In,” Stephen Wirtz Gallery, San Francisco, California

1999

Inman Gallery, Houston, Texas

1998

“House Hunting,” Stephen Wirtz Gallery, San Francisco, California

1997

SF Camerawork, San Francisco, California

1996

San Francisco Museum of New Art Rental Gallery, San Francisco, California

1995

Art Institute of Pittsburgh, Metropolis, Pennsylvania Michael Thompson Gallery, San Francisco, California

SELECTED GROUP EXHIBITIONS

2016

“Collected,” Pier 24 Photography, San Francisco, California “The New Portrait,” Stieglitz19, Antwerp, Belgium

2015

“Whistler instruct the World,” Colby Museum depose Art, Waterville, Maine “And Enlighten It’s Dark,” ffotogallery, Cardiff, Principality “Summer Accrochage,” Kaune, Posnik, Spohr, Cologne, Germany “The Open Road: Photographs and the American Pedestrian Trip,” Aperture, traveling exhibition “Aperture: Photographs,” Avenue of the Americas Gallery, New York, New Dynasty “The Perfect Measure,” Micamera, Metropolis, Italy

2014

“And Now It’s Dark,: Earth Night Photography” University of Nottingham “Edward Hopper and Photography,” Discoverer Museum of Art, New Royalty, New York “Private Eye: Gracie G.

Thomas Jr. Photography Collection,” North Carolina Museum of Sharp, Raleigh, North Carolina “The Spirit of Darkness,” Reflex Galerie, Amsterdam, Netherlands “Unknown: Pictures of Strangers,” Transformer Station, Cleveland, Ohio “Hindsight,” VI Gallery, Copenhagen, Denmark “Home Economics,” Hudson Guild Gallery, Unique York, New York The Foundry Show, New York, New Royalty “Space,” Sundance Film Festival, Manoeuvre City, Utah

2013

“A Sense of Place,” Pier 24 Photography, San Francisco, California “At the Window: Righteousness Photographer’s View,” The Getty Spirit, Los Angeles, California “Six Rooms,” The Mine Factory, Pittsburgh, Penn “Staking Claim: A California Invitational,” Museum of Photographic Art, San Diego, California “Un/Natural Color,” Santa Barbara Museum of Art, Santa Barbara, California “Everyday America: Photographs from the Berman Collection,” Steven Kasher Gallery, New York, Virgin York

2012

“America in View: Landscape Taking pictures 1865 to Now,” RISD Museum of Art, Providence, Rhode Isle “Balls Deep,” 31 Rausch Verandah, San Francisco, California “About Face,” Pier 24 Photography, San Francisco, California

2011

“Altered Landscape: Photographs of smashing Changing Environment,” Nevada Museum dear Art, Reno, Nevada “Idyll,” Author Wirtz Gallery, San Francisco, Calif.

“Here,” Pier 24 Photography, San Francisco, California “Alec Soth’s Single Boy Magazine,” Harper’s Books, Noshup Hampton, New York “American Psyche: A Generation in Contemporary Photography,” Religare Art Gallery, New City, India “California Continued: New Approaches in West Coast Photography,” Sculpturer Andersen North Gallery, San Anselmo, California “101 Collection Route 2: Undisclosed Destination,” CCA Wattis School for Contemporary Arts, San Francisco, California “Dawn Till Dusk,” Jen Bekman Gallery, New York, Modern York “LandsCApes: Glimpses of Common California,” de Saisset Museum, Santa Clara, California

2010

“Day & Night,” Kobenhavn Photo Festival, Copenhagen, Denmark “The View From Here,” SFMOMA, San Francisco, California “US Today After…” Lyon Septembre de la Photographie, Lyon, France “F/Stop,” Tapetenwerk, Metropolis, Germany “From The Collection,” Landing stage 24 Photography, Pilara Foundation, San Francisco, California “Do I Conclude You,” Inman Gallery, Houston, Texas “Family Stage,” University of Denver, Denver, Colorado “Land Use Survey,” Jen Bekman Gallery, New Dynasty, New York “State of Mind: A California Invitational,” Museum holiday Photographic Arts, San Diego, Calif.

“Whatever Was Splendid: New English Photographics,” Fotofest, Houston, Texas “Know the Rules – Then Become known Them,” di Rosa Collection, Pe-tsai, California “Projection 8 Desire,” Another York Photo Festival, New Dynasty, New York “Face to Face,” Rose Gallery, Santa Monica, Calif. “Proof,” Catherine Edelman Gallery, Port, Illinois

2009-2010

“The Poetics of Space,” Kemper Museum of Contemporary Art, River City, Missouri

2008

“to:Night, Contemporary Representations mention the Night,” Hunter College, In mint condition York “Road Trip,” San Jose Museum of Art, San Jose, California “Beyond the Backyard,” Museum of Contemporary Photography, Chicago, Algonquin “From the Decisive Moment add up to the Deliberately Staged: Photographs deviate the Press Collection,” Foster Gathering, Dedham, Massachusetts

2007

“A New American Portrait,” Jen Bekman Gallery, New Dynasty, New York “Easy Rider: Side street Trips Through America,” Yancey Thespian Gallery, New York, New Dynasty “Stalking Suburbia,” curated by Lauren Ryan, Westport Arts Center, Westport, Connecticut “CCA[C] @di Rosa Preserve,” Gatehouse Gallery, Napa, California “The Philosophy of the Bedroom,” Chelsea Art Museum, New York, Newborn York “ELOI: Stumbling Towards Paradise,” UCR California Museum of Film making, Riverside, California “The Gray Area,” Sonoma Valley Museum, Sonoma, Calif.

“A New American Portrait,” Jen Bekman, New York, New Royalty “Artists of Invention: A 100 of CCA,” Oakland Museum short vacation California, Oakland, California “CCA Centennial: Faculty and Alumni at Wirtz,” Stephen Wirtz Gallery, San Francisco, California “Currents in Photography,” Soul for Contemporary Art, Sacramento, California

2006-2007

“POV: Photography Now and the Adjacent Thirty Years,” Photographic Resource Sentiment, Boston, Massachusetts “Spectacular City,” NWR Forum, Dusseldorf, Germany “Suburban Escape,” San Jose Museum of Agile, San Jose, California

2006

“Spectacular City,” Holland Architecture Institute, Rotterdam, Netherlands “I © the ‘Burbs,” Katonah Museum of Art, Katonah, New Royalty “Joint Venture,” Richard L.

Admiral Gallery & Pence Gallery, UC Davis, California “Contemporary Complexities,” Excellence Harn Museum of Art, Town, Florida “Natural Selection,” Microsoft Role Collection, Redmond, Washington “Contemporary Head start and Photography,” Columbus Museum faux Art, Columbus, Ohio

2005-2006

“Something of excellence Night: Imaging the City, 1875-2005,” Leeds City Art Gallery, Author, England

2005

“Camera Sacra: Capturing the Letters of Nature,” The Israel Museum, Jerusalem, Israel “The Big Picture: Contemporary Large-Scale Photography,” University Smash to smithereens Gallery, Sonoma State University, Sonoma, California “Marks of Honour,” Be livid, Amsterdam, Netherlands “Marks of Honour,” Gallerie van Zoetendaal, Amsterdam, Holland “InFocus: Contemporary Photography,” North Carolina Museum of Art, Raleigh, Northerly Carolina

2004-2005

“Arti&Architettura, 1900-2000,” Palazzo Ducale, Genova, Italy “Brr…,” Gallery W 52, New York, New York

2004

“Do,” Pace/MacGill Gallery, New York, New Royalty “Light and Atmosphere,” Miami Walk off Museum, Florida “Four Galleries A handful of Artists,” Michael Berger Gallery, City, Pennsylvania “Domicile,” Center on Coexistent Art, Seattle, Washington “Photographers keep in good condition the Great Basin: A Unjustified Survey of the Nevada Landscape,” Sturm Gallery, Truckee, California

2003-2004

“Terrain Vague: Photography, Architecture and the Post-Industrial Landscape,” Atlanta Contemporary Art Sentiment, Georgia; traveling to the Altruist Museum of Art, Pittsburgh, Colony “Photographing Undomesticated Interiors,” Smith School Museum of Art, Northampton, Colony “Picture This: Windows on ethics American Home,” National Building Museum, Washington, D.C.; traveling to description Minnesota History Center, Minneapolis, Minnesota “The Gray Area,” Wattis Institution, California College of the Veranda, San Francisco, California “Home (for the holidays),” Jen Bekman, Spanking York, New York

2003

“Fabula,” National Museum of Photography, Film & Thrust, Bradford, West Yorkshire, England “Elegy: Contemporary Ruins,” Museum of Concurrent Art/Denver, Colorado “homeland,” Corcoran Assemblage of Art, Washington, D.C.

“Wait Until Dark: Night Photography spread the Collection of Jay Richard DiBiaso,” Williams College Museum ship Art, Williamstown, Massachusetts “Home Overly sentimental Home,” Centre Photographique d’Ile-de-France, Pontault-Combault, France “Re-Loaded,” Carrie Secrist Heading, Chicago, Illinois “Pretty, as swell Picture: Beauty and Banality directive Contemporary Photography,” Carrie Secrist Onlookers, Chicago, Illinois “Dwelling,” Montalvo Heading, Saratoga, California “A Sure Thing,” Spanganga, San Francisco, California Inman Gallery, Houston, Texas “A Graceful Day in the Neighborhood,” Old sol Valley Center for the Portal, Idaho “Staging Reality: Photography circumvent the West Collection at SEI,” Rosenwald-Wolf Gallery, University of description Arts, Philadelphia, Pennsylvania “Northern Light,” Danese, New York, New Dynasty “Plotting,” Carrie Secrist Gallery, City, Illinois “Asphalt,” Elias Fine Have knowledge of, Allston, Massachusetts “Chambre 305,” Congregation Hotel Art, Florence, Italy

2002-2003

“Contemporary Earth Photography,” Samsung Museum of Another Art, Korea

2002

“Photography Transformed: The Civic Bank & Trust Collection,” City Museum of Art, Cleveland, River “printemps de septembre: photographie snug arts visuels,” Toulouse, France “Some Options in Realism,” Carpenter Heart for the Visual Arts, University University, Cambridge, Massachusetts “Into leadership Woods,” Julie Saul Gallery, Unique York, New York

2001

“Urban Pornography,” Artists Space, New York, New Royalty “Other People’s Lives,” Eyre/Moore Heading, Seattle, Washington “Depicting Absence/Implying Presence," San Jose Institute of Fresh Art, San Jose, California “ExtraOrdinary: American Places in Recent Photography,” Madison Art Center, Madison, River “Capturing Light: Masterpieces of Calif.

Photography, 1850-2000,” Oakland Museum closing stages California, Oakland, California “Fundamentals,” Eyre/Moore, Seattle, Washington “It’s a Ferocious Party and We’re Having expert Great Time,” Paul Morris Heading, New York, New York

2000-2001

“Beyond Boundaries: Contemporary Photography in California,” nomadic exhibition organized by The Society of Photography, San Francisco, Calif..

Venues: University Art Museum, Calif. State University, Long Beach, California; Santa Barbara Contemporary Arts Consultation, Santa Barbara, California “The Town Fellowship Awards: 1999-2001,” San Jose Museum of Art, San Jose, California; will travel to justness Museum of Contemporary Art, San Diego, California

2000

“Immodest Gazes,” Fundacio “la Caixa,” Barcelona, Spain “Of righteousness Moment: Contemporary Art from goodness Permanent Collection,” San Francisco Museum of Modern Art, San Francisco, California “Sites Around the City: Art and the Environment,” Arizona State University Art Museum, Tempe, Arizona “Flat File: Pierogi 2000,” Yerba Buena Center for influence Arts, San Francisco, California “Bluer,” Carrie Secrist Gallery, Chicago, Algonquian “Fotofest 2000,” Inman Gallery, Metropolis, Texas “Light Fantastic” (Curated outdo Constance Lewallen), San Francisco Piece Institute, California

1999

“California Classics: Highlights punishment the Collection of the San Francisco Museum of Modern Art,” travelling exhibition: Isetan Museum be proper of Art, Tokyo, Japan; Fukui Propensity Art Museum, Fukui, Japan; Probity Museum of Modern Art, Wakayama, Japan; Tochigi Prefectural Museum bazaar Fine Arts, Tochigi, Japan “The Comforts of Home,” Hand Work Art Center, Richmond, Virginia “Recent Works by Alumni,” Oliver Craftsmanship Center, Oakland, California

1998

“Doors, Walls, instruct Windows,” Berkeley Art Museum, Bishop, California “Neighborhood Watch: Recent Photographs of Suburbia,” Julie Saul Congregation, New York, New York “Under Construction: Bernd & Hilla Becher, Lynne Cohen, Todd Hido,” Olga Korper Gallery, Toronto, Canada “Images and Ideas: The Collection dependably Focus,” Berkeley Art Museum, Metropolis, California

1997

“Bay Area Now,” Yerba Buena Center for the Arts, San Francisco, California “Precious,” Four Walls, San Francisco, California

1996

“Blue Lagoon,” Team a few Walls, San Francisco, California Barclay Simpson Gallery, Lafayette, California

1995

“Obsession,” Gray Exposure, San Francisco, California

1994

Works skull Photography,” Intersection for the Covered entrance, San Francisco, California

1993

“International Photography Festival,” Sohreh Photo, Tehran, Iran “In the Family,” Silver Eye Soul for Photography, Pittsburgh, Pennsylvania “Process and Product,” Bromfield Gallery, Beantown, Massachusetts

1992

“10th Anniversary Exhibition,” Photo Stealthy, San Francisco, California Society house Contemporary Photography, Kansas City, Sioux “Issue of Choice,” LACE, Los Angeles, California

1991

“Photo Spiva,” Spiva Adroit Center, Joplin, Missouri “BOIT Exhibition,” Grossman Gallery, School of Authority Museum of Fine Arts, Beantown, Massachusetts “Matrix,” Kingston Gallery, Beantown, Massachusetts

1990

“New England Photography Exhibition,” Southward Shore Art Center, Cohassett, Colony “Museum School Annual,” Grossman Audience, The School of the Museum of Fine Arts, Boston, Massachusetts

1989

“Recent Developments,” Blatent Image Silver Chic, Pittsburgh, Pennsylvania Toledo Friends grip Photography, Toledo, Ohio “Three Rivers Arts Festival,” Pittsburgh, Pennsylvania Fluxis, Pittsburgh, Pennsylvania “Miniature Works,” Atwood Gallery, Worcester, Massachusetts “East Texas International Photography Exhibit,” East Texas State University Art Gallery, Marketing, Texas The Turmoil Room, Metropolis, Pennsylvania

1988

Blatent Image Silver Eye, City, Pennsylvania

AWARDS & COMMISSIONS

2015

Complete archive pray to published works acquired by Wharf 24 Photography, ongoing acquisition considerably new work is published

2013

Fred good turn Laura Bidwell Foundation, major credentials for museum’s first solo show

2012

Pier 24 Photography/Pilara Foundation, commission backer permanent collection

2002

Best First Monograph aim for 2001, photo-eye books and prints

2001

Eureka Fellowship, Fleishhacker Foundation

1998

Wallace Alexander Gerbode Foundation Visual Arts Award Original Graduate of Distinction Award, Calif.

College of Arts & Crafts

1996

Barclay Simpson Award

BIBLIOGRAPHY

2015

Herd, Colin. Aesthetica, Vol. 67, “Redefining Americana,” p. 38-43 ffotogallery, “Looking for America,” owner. 50-53 Colby College Museum wait Art, “Whisler and the World: The Lunder Collection of Felon McNeill Whistler,” p. 226-7, 241 Peacock, Annabelle.

Zoo No. 48, Fall 2015, “Todd Hido – Selections from a Survey: Khrystyna’s World,” p. 38 Elle Nederland, October 2015, “Schieten in Subordinate Suburbs,” Focus 10, October 2015 “Spotlight,” p. 7 Vogue Italia, “Focus on | Todd Hido,” web interview, 14 September. A-mag, Vol. 3 No. 5, “Unseen Todd Hido,” p. 19 Elephant, Summer 2015/Issue 23, “Open Files,” p.

24 Hello Amsterdam, Sept-Okt/#4, “Hello Amsterdam,” p. 21 Slogan Magazine, May Issue, “No Filter: Bay Area photographer Todd Hido charts a woman in reduction her mellifluous forms,” pg. 85. The Wire, Issue 374/April, “This way out: Holly Herndon,” lodger. 36-41 The New York Earlier Magazine, The Money Issue/May 3, “Pay It Forward,” pg. 54-59 Brown, Jane & Kennedy, Marla Hamburg.

“Both Sides of Sunset: Photographing Los Angeles,” Metropolis Books, pg. 114-115. Esquire Russia, Vessel 108 March, pg. 106-121

2014

Hido, Chemist. “Excerpts from Silver Meadows B-Sides Box Set,” edited by Character Hido, Nazraeli Press Campany, King and Wolff, Denise. “The Biological Road: Photography and the Inhabitant Road Trip,” Aperture The Taking photographs Workshop Series, “Todd Hido basis Landscapes, Interiors and The Nude,” Aperture “George Eastman House: XL,” Limited Edition of Archival Catch “Implied Presence,” Aesthetics: The Relay & Culture Magazine, Issue 62, December/January 2015 pg.

98-109 “No Twang of Conscience Whatever,” Town American, No. 86/Fall 2014, lodger. 34-35 The Photobook Review, “Aaron Schuman in conversation with Chemist Hido,” Issue 006, Spring 2014, pg. 6-7 , Bay Ingredient Council Vocabulary Initiative, Goodby, Poet & Partners, three PSA ads released July 2014 Esquire Empire, Issue 101 July/August, pg.

116-127 ARTnews. “Reviews: New York,” roomer. 96 Tylevich, Katya. “Word Bites Picture,” pg. 73-80 Trompeteler, Helen. “Todd Hido: Excerpts from Silver plate Meadows,” April 27, Issue 5 “Todd Hido on Landscapes, Interiors, and the Nude.” The Taking photographs Workshop Series, Aperture. Fulford, Jason and Halpern, Gregory. “The Photographer’s Playbook,” Aperture, pg.

149 “The incredible life of Isabel Allende,” The Telegraph, January 2014 “El Nino is On Its Way,” TIME, Vol. 183, No. 1, January 13, photo spread lodger. 40-41 Vintage Photobooks, IMA Maintenance with Photography, Vol. 7, Fly 2014 Parr, Martin and Gerry Badger. “The Photobook: A Account volume III,” Phaidon, 2014 Authority New Yorker, March 31, 2014, photo in “Excerpts from Cutlery Meadows,” pg.

6

2013

Hido, Todd. “Excerpts from Silver Meadows,” monograph, thin by Todd Hido, Nazraeli Tap down Hellen, Karen. “The Window behave Photographs,” Getty Publications Till, Andreas. “Interview mit Todd Hido,” Cahiers – Hefte zur Fotografie 2013, pg. 58-61 “TIME Picks honourableness Best Photobooks of 2013,” Put on the back burner LightBox, November 25 “It Was Too Strong: An Interview go one better than Todd Hido,” The Paris Con, November 19 Posdziech, Laura.

“Todd Hido’s unmistakable CREDO,” QVEST No.58, Fall, pg. 106-119 Harris, Inoculation. “Him & Her: How Curse Jonze Made the Weirdest, Chief Timely Romance of the Year,” New York Magazine, October 14 Broudy, Oliver. “The Life guard,” Men’s Health, July/August, pg. 172-177 “Todd Hido,” #24 You’re As of now Beautiful Enough As You Shoot “Passage: An L.A.

Story,” Chat Magazine #037, May Balhetchet, Sophie. “Excerpts from Silver Meadows,” Hotshoe Issue 184, June Crager, Carangid. “Hido’s Seeking,” American Photo, May/June Piatti, Elisabetta. “Todd Hido,” Sign Landscape #109 International, Winter Designer, Steven. “Reveal and conceal,” Righteousness Plain Dealer, May 26, Laudatory Arts E7 Museum of Minute Arts.

“Staking Claim: A Calif. Invitational,” pg. 54-61

2012

Carver, Raymond. “All of Us: The Collected Poems,” cover image Silversun Pickups. “Neck of the Woods,” LP keep mum image, multiple interior images Silversun Pickups. “Neck of the Woods,” CD cover image multiple inward images Paris Photographies, Christie’s, Nov, cover image, pg.7, 34, 53, 55 Blow, Issue four “The Art +Design Issue,” 7x7, Barrage No.109, cover image, pg.

66-71,81 “We The People?”, Aperture, 209, Winter, pg.57 “The Black Box,” Wired Magazine, 20.04, cover figure, pg.78-79 “life is moment,” Picture Greatest Time in My Make your home in, Huge, Issue No. 97, tenant. 25 & 38-39 “SF Talking 2012,” pg.46-471 “The New Dynasty Public Library,” Grey, Biannual Examination 5 Autumn/Winter Tylevich, Katya.

“Todd Hido: San Francisco,” Elephant Munitions dump No. 10, Spring 2012 Steacy, Will. “Photographs Not Taken,” Weightless Brook, Pete. “Must Read: Grandeur Photographs That Got Away Dismiss Famous Shooters,” May 11

2011

The Raveonettes. “Rarities,” LP cover image, aggregate interior images Tampa Review, 42, cover image “Nero,” No.27, Rapids, cover image Cotton, Charlotte.

“Fotografie als zeitgenossische Kunst 1,” Deutscher Kunstverlag, cover image “Seeing Double: A Photography Power Couple,” Rendering Wall Street Journal, October 22 Himes, Darius and Mary Town Swanson. “Publish Your Photography Book,” pg. 29 Sawhney, Aakriti. “Photography is the Capital’s New Fix,” Hindustan Times, March 22 “When Photographs Speak the Language do admin Art,” The Times Of Bharat, March 21 Risch, Conor.

“Photo Books as Fine Art,” PDN, March 11 “Broke Town, U.S.A.,” The New York Times Armoury, March 6, pg. 26 Soth, Alec. “Lonely Boy Mag Cack-handed. A-2,” Little Brown Mushroom Conceal, Paul. “Photo Gallery: Todd Hido’s Drive on the Darkside,” Flavorpill, Feb. 3 “Todd Hido, Split Narratives,” The New Yorker, Jan. 24, pg.

12 Kramer, Elizabeth. “Images of Ruin Now Avoid Closer to Home,” Courier Newspaper, Jan. 23 Meyers, William. “Looking Inside and Out, Todd Hido: Fragmented Narratives,” The Wall Way Journal, Jan. 15

2010

Hido, Todd. “A Road Divided,” monograph, edited saturate Todd Hido, Nazraeli Press Hido, Todd. “Cracked Trees,” artist volume, edited by Todd Hido, Nazraeli Press Hido, Todd.

“Crooked Unsmooth Tree in Fog,” artist paperback, edited by Todd Hido, Nazraeli Press Hido, Todd. “Motel Club,” monograph, edited by Todd Hido, Nazraeli Press Hido, Todd. “Nymph Daughters,” artist book, edited descendant Todd Hido, Super Labo Bazelon, Emily. “Arguing Third Strikes,” Glory New York Times Magazine, Can 23, pg.

41 Cotton, City and Alex Klein. “Words Impecunious Pictures: Questionnaire,” pg. 59 Modest, Peter. “Mortgages Lost in rendering Cloud,” Bloomberg Businessweek, October 18 “Make It Yours,” Dwell, Give up the ghost, pg. 24 “100 Houses Awe Love,” Dwell, Summer, pg. 9-15 Di Piero, W.S., “States Elect Mind,” San Diego Reader, Hawthorn 5 Dyer, Geoff.

“Working Character Room, Saving Grace: Todd Hido,” pg. 81-84 Himes, Darius. “Draft Of An Interview,” Idomenee, June, pg. 126-143 Johnson, Whitney. “On And Off The Walls: Organized First Look at Pier 24,” The New Yorker, March 31 Kouwenhoven, Bill. “Todd Hido: Beast of the Night,” Hot Eject, April-May, pg. 21-29 Kouwenhoven, Account. “Moonstruck,” Qvest, #40/Spring, pg.

124-135 Mattis-Namgyel, Elizabeth. “Open Stillness,” Trike, Spring, pg. 37 Olivares, Rosa. “El Paraiso estaba aqui convulsion lado,” Exit, Issue 38, paying guest. 8-15 Pincus, Robert. “Optical Allusions,” The San Diego Union-Tribune, Feb 21 Piovesan, Giulio. “Le Attachй case del Buio,” Foto Cult, Apr, pg.

72-75 Reyes, Paul. “Picturing the Crisis: Left Behind,” Excellence New York Times Opinionator, Oct 12 Rickard, Doug. “On Loose Mind…”, Foam, Summer, pg. 21 Smoke Bath, April “Todd Hido,” Photographer, Ukraine Edition, May, paying guest. 82-86 “Todd Hido,” European Cinematography, Number 87, Spring/Summer, pg. 18-19 Vain, Spring, pg.

21-23 Zollner, Manfred. “Wenn es dunkel wird…”, Foto Magazin, May

2009

Hido, Todd. “Witness No. 7,” journal, edited hard Todd Hido, Nazraeli Press Hido, Todd. “Ohio,” artist book, settled by Todd Hido, These Liable Walk Hido, Todd. “1 Advance 1 Minute,” X-tra, Fall, 66-67 Aletti, Vince. “Todd Hido,” Picture New Yorker, September 28, resident.

12 Carver, Raymond. “Call Conj admitting You Need Me,” cover clue Carver, Raymond. “Cathedral,” cover appearance Carver, Raymond. “Short Cuts,” shield image Carver, Raymond. “What Astonishment Talk About When We Cajole About Love,” cover image Woodman, Raymond. “Where I’m Calling From,” cover image Carver, Raymond. “Will You Please Be Quiet, Please?”, cover image Manaugh, Geoff.

“Foreclosed Homes,” Volume #20 Shen Yi, Elsie. “House Hunter’s Castle,” Pics #15, pg. 60-63 Walker, Painter. “Notable Photo Books of 2009,” Photo District News, November 2 “A Road Divided,” Exit, Autumn/Winter, pg. 52-65 “Book Review,” Influence New York Times, July 12, pg. 4 “Yearbook Photo,” Agitated Magazine, pg. 26

2008

Helfand, Glen.

“Critics’ Picks: Todd Hido,” , Nov Baker, Kenneth, “Todd Hido’s Broadcast Blurs Mournful Images,” San Francisco Chronicle, November 1 Swanhuyser, Hiya, “A Lighter Shade,” SF Tabloid, October 31, 2008

2007

“America’s Artland” Supposition + Auction, July 2007, pp. 57 “Between the Two,” photographs by Todd Hido, monograph, Nazraeli Press Genocchio, Benjamin, “They Go (Silently) Among You: the Daily traveller Photographers,” New York Times, Sept 30 Himes, Darius.

“Lies Salient to Truth,” American Photo Lyons, Nathan, and Chiarenza, Carl “Speaking in Black and White,” Image: The Magazine of George Discoverer House, Spring 2007 pp. 4-11 Todd Hido: Between the Two,” FOAM, Spring 2007, #10 pp. 170 Torres, Anthony. “Hido focuses his camera on his fears,” San Francisco Examiner, February 6

2006

Berton, Justin.

“Art of Darkness,” Respire Bay Express, February 1, pp. 11-18 Lappin, Criswell. “Looking strength the City,” Metropolis, April, p.196 “The Observer Observed,” The Gratification of Giving Something, DVD Keep fit, No. 8 “Ohio,” Satellite, Source, Vol. 1, Issue 1, pp. 10-11 “Out and About,” Speck, KQED, Wednesday, April 26 “Spectacular City,” NAi Publishers, Exhibition Assort, pp.

145-150

2005

Daum, Meghan. “Lonely Lover,” Black Book, Spring/Summer, No. 39, p. 73 Dykstra, Jean. “Auction Report,” Photograph, May/June, p. 82 “Home Truths,” Pavement, Winter, Of no importance 68, pp.32-34 “Icons of class 21st Century,” PDN, October, Examination 10, pp. 51-61 Keizer, Loft. “Left Alone,” Mother Jones, Nov 2005, p.

68 Kushner, Wife. “How Wicked is Hollywood,” Codify, April/May, pp. 69-73 Rhodes, Glare. “Photographers to Collect,” Picture, May/June, p. 76 Richer, Francesca, impressive Rosenzweig, Matthew, “No. 1: Important Works by 362 Artists,” D.A.P Vagner, Kris. “Unnatural Lighting,” Metropolis News and Review, September 8, Vol. 11, p.

23 Weinstein, Michael. “Lonely Solitude Behind nobleness Windshield,” New City, Nov. 18, p. 19

2004

Aletti, Vince. “Shortlist: Photo,” The Village Voice, September 15-21 Berwick, Carly. “Todd Hido: Julie Saul,” ARTnews, November, pp.153-154 Burning, Alison. “Todd Hido,” SFGate, Possibly will 7 Buhmann, Stephanie. “Todd Hido Roaming: New Landscapes,” The Borough Rail, October Corwin, Miles.

“Homicide Special” (no page numbers concerning photo inset) Crump, Andre. “Photography Book Round-up,” Rangefinder Magazine, Dec Glueck, Grace. “Todd Hido: ‘Roaming: New Landscapes,’” The New Dynasty Times, October 8 Hannegan, Barry. “Mood Links Four Artists,” Post-Gazette, April 20 Keffer, Ruth.”The Topic is Architecture,” ArcCA, Issue 04.3, pp.

31-43 Lennon, Robert Document. “Eight Pieces for the Not done Hand,” Granta, Issue 85, Thrive, p.40 Lennon, J. Robert. “Ecstacy,” Granta, Issue 87: Jubilee, p.236 Lowry, Patricia. “Photographing the Oppidan Void,” Pittsburgh Post Gazette, Apr 3, p.B12 Morton, Julia. “Todd Hido: Roaming: New Landscapes,” , September 22-28 Russell, Christopher.

“The Invisible Photographer,” artUS, Issue 3, June-August, pp.28-29 Shaw, Kurt. “Ghosts of Artworks Past Resurface examination Michael Berger,” , April 27 Turk, Rachael. “Sweetness and Light,” Inside Film, Issue 68, Oct, p.25 Villanucci, Cinzia. “The Experiential Sense of Roaming,” NY Bailiwick, Volume 9, Nov.

- Dec., p.92 _ The New Yorker, September 27 _ Big Journal, San Francisco, Issue 54

2003-2004

“Undomesticated interiors,” exhibition catalogue accompanying exhibition finish even the Smith College Museum pay no attention to Art, pp.94-96

2003

"The Gear 100: Blemish People's Stories," Gear, February, pp.62-63 Bing, Alison.

“’A Sure Thing’: A Certain Flair,” SF Gateway, July 30 Corbett Cavouras, Krissa. “Surreal Outskirts,” American Photo, January/February, p.65 Dawson, Jessica. "Todd Hido at G Fine Art,” Blue blood the gentry Washington Post, January 30 Exley, Roy. “The Ulterior Motive,” Provenience, Issue 35, Summer, p.54 Playwright, Brendan. “Fabula,” (A-N) Magazine use Artists, Spring Greenhalf, Jim.

“Fact and Fiction, All a Blur,” Telegraph & Argus, April 11, p.27 Helfand, Glen. “Critics’ Picks: A Sure Thing,” , July Jevons, Rich. “Putting a Thrash in Reality,” London Metro, Apr 15 Jevons, Rich. “Preview Fabula,” Art, Spring Noonan, Mickey. “A Twist in the Tale salary the Documentary,” Metro, April 8, p.17 Norse, Pat. “Todd Hido,” Black + White, November, p.64-71 Pitman, Johanna.

“A Snatched Person at Stolen Beauty,” The Author Times, May 27 Smith, Pecker. “ Interview: Photographs by Chemist Hido,” Oz, Volume 25, pp.40-47 “Beauty in Suburbia,” Aspen Organ, Spring, p.66 “Roaming: Photographs chunk Todd Hido,” Exit, Autumn/Winter, pp.43-56 “Things Art Not Quite What They Seem,” The British Account of Photography, April “Photo Period 2003,” Photo District News, Possibly will, p.105

2002

Hido, Todd.

“Outskirts,” monograph, lowered by Todd Hido, Nazraeli Subject to “Photography Transformed: The Metropolitan Capital & Trust Collection,” exhibition classify with essay by Klaus Kertess, published by Harry N. Abrams, Incorporated, New York “More pale the Best: This Season’s Principal Compelling Books About Photography,” Indweller Photo, January/February, p.78 “Listening unnoticeably Oakland,” Los Angeles Times Armoury, Winter “Todd Hido: Roaming,” Representation Art Newspaper “La Fiction Buffer Reel,” Mouvement, November/December, pp.22-29 “In Print: Outskirts,” Photo District Advice, October, p.90 “Roaming by Character Hido,” Zing Magazine, Autumn “Todd Hido,” Zoo, Issue 11, pp.330-331 “Fragilites,” Printemps de septembre presentation catalogue, pp54-55 Aletti, Vince.

“ShortList,” The Village Voice, September 18-24, p.79 Artner, Alan. “New Contortion from Goodman, Hido and Dunn,” Chicago Tribune, Jan. 18, p.27 Camper, Fred. “Look Through Peasant-like Window,” The Chicago Reader, Jan 25, p.24 Cash, Stephanie. “Report from San Francisco: Surviving settle down Thriving,” Art in America, Nov, pp.58-67; p.69 Garrett, Craig.

“Urban Pornography,” Flash Art, January/February, p.47 Hawkins, Margaret. “Photographer and artist shed new light on their work,” Chicago Sun-Times, February 1, p.41 Homes, A.M. “Peeping Todd,” Vanity Fair, August, p.72 Von Busack, Richard. “Two Houses,” Covered Silicon Valley. P.40-41 Johnson, Unconditional. The New York Times, Sept 13 Johnstone, Mark and Holtzman, Leslie Aboud.

“Epicenter: San Francisco Bay Area Now,” published indifferent to Chronicle Books, pp.115-117 Kirsch, Elisabeth. “Exterior Motives,” The Kansas Infiltrate Star, April 26, pp.27-28 Postel, Claude. “Printemps de Septembre,” Town Photo, September/October, p.67 The Contemporary Yorker, September 30, p.30 Rafkin, Louise.

All Things Considered, Stable Public Radio, interview aired inaccuracy March 14 Tanous, Adam. “Center Exhibit Examines Concepts of Home,” Express, December 18, pp.C1, C4 Zhang, Xiang. “Todd Hido,” Occupy World, Issue 11, pp.54-58 Eden, Adi Shamir. Ngo, Dung. “Open House: Unbound Space and primacy Modern Dwelling,” Rizzoli International Publications, pp.120-122 “Tomoko Yoneda, Todd Hido: Centre de Photographie, Lectoure,” Point, November/December

2001

"House Hunting," photographs by Character Hido, monograph, Nazraeli Press "Taft Street," photographs by Todd Hido, artist book, Nazraeli Press "Capturing Light, Masterpieces of California Cinematography, 1850 to the Present," event catalogue by The Oakland Museum of California Bonetti, David.

"Todd Hido: New Photographs," San Francisco Chronicle, July 21, p.B10 Bonetti, David. "Eureka Exhibition Much Improved," San Francisco Chronicle, February 1, p.E2 Devine, John. “Look Closely,” Houston Press, November 15 Di Piero, W.S. “Saved by Puns and Melancholy,” Farr, Shiela. "Shades of voyeurism force you merriment deal with 'Other People's Lives'," The Seattle Times, April 20 Fischer, Jack.

“Night Visions,” San Jose Mercury News, pp.E1, E3 Fischer, Jack. "Eureka Fellowship exhibits are a beacon for chatty talent," San Jose Mercury Rumour, January 14 Fisher, Jack. "The state that changed photography," San Jose Mercury News, March 25 Gagnon, Adrienne. “Windows Blind,” SF Weekly, August 8-14 Gaston, Diana. “Todd Hido: New Photographs,” Collapse on Paper, November-December, pp.87-88 Golonu, Berin.

“Todd Hido: New Photographs,” Camerawork, Fall/Winter, pp.34-35 Grundberg, Nimble-fingered. “House Hunting,” bookforum, Winter, p.42 Hackett, Regina. "Other People's Lives' the best group show hard cash town," Seattle Post-Intelligencer, April 14 Hackett, Regina. “’Other People’s Lives’ plays out like a furniture of short stories,” Seattle Post-Intelligencer Heaf, Jonathan.

“House Hunting,” Rectitude Face, September, p.265 Helfand, Depression. “Todd Hido: Stephen Wirtz Gallery,” ArtForum, October, p.163 “a home is not a home,” i-D Magazine, p.86 Johnson, Patricia. “Exhibits put artists in perspective,” Metropolis Chronicle, November 7, pp.1D, 7D Lasala, Anthony. “Todd Hido’s Cursed Houses,” Photo District News, Oct, pp.44-46 McLean, Clare.

“Other People’s Lives,” , pp.12-13 Rubinstein, Rhonda. “House Hunting: Todd Hido,” Proficient Magazine, Winter, pp.76-77 Tokion, carveds figure on pp.78-79 Webster, Mary Structure. “Todd Hido at Stephen Wirtz Gallery,” Artweek, September, pp.13-14 "Eureka: New Art From the Laurel Area," View, Quarterly Newsletter carry the Museum of Contemporary Divorce San Diego, January, February, Walk, p.3 "Other People's Lives," City Weekly, April 11 Wilson, Megan.

"critic's choice: The Eureka Camaraderie Awards," The San Francisco Cry Guardian, January 3, p.74 Yanagihara, Hanya. “House Hunting,” Brill’s Satisfy, pp.74-75.

2000

"Immodest Gazes," exhibition catalogue publicised by Fundacio "la Caixa" "Beyond Boundaries, Contemporary Photography in California," exhibition catalogue published by Honourableness Friends of Photography "The Town Fellowship Awards, 1999-2001," exhibition orchestrate published by The San Jose Museum of Art __.

“Art,” Los Angeles Times, November 5, p.60 Atherton, Jamie. “Todd Hido: Home Alone,” Surface Magazine, Step, issue no.22, pp.174, 176, 189 Bonetti, David. “At Last, Photography’s colorful future,” San Francisco Interrogator, January 12, pp.B-1, B-6 “California Classics: Highlights from the Quantity of SFMOMA,” exhibition catalogue publicised by APT p.67 Contemporary Visible Arts, issue no.27, p.85 relief Chatellus, Albane.

& Fouchet, Jeanne. "Immodest Gazes," Paris Photo Impel, pp.8-17 Frohman, Mark. “Insecurity Complex,” , March 16 Helfand, Hollow. “Todd Hido,” art & words, May/July, pp.93-94 Helfand, Glen. “critic’s choice,” San Francisco Bay Protection, January 12, p.82 Kish, Reclining. “Art and the Environment,” Righteousness Arizona Republic Lozano, Amparo.

“Viaje a un mundo interior,” Fotografica, April, pp.10-13 Metropolis, April, pp.122-127 Wickens, Brett. “Scanner,” Creative Analysis, October, p.86

1999

Andersson, Cecilia. “Spatial Be aware of or Spatial Disorientation?”, Katalog, Review of Photography & Video, Cancel, pp.26-33 Arieff, Allison, Surface, Oct, p.62 Anspon, Catherine D.

“Art Houston,” Papercity, July, p.8 Harper’s Magazine, July, p.21 “House Hunting,” 2wice, Vol.3, No.1, pp.52-55 General Lifestyles & Homes, July sentiment houston, September, p.31 Johnson, Patricia G. “A sense of denial permeates work of young artists,” Houston Chronicle, July 29, pp.1D, 10D Metropolis, August/September, pp.60-65 Shaper, Alicia.

“Peering behind Closed Doors,” Artweek, September, Vol.30, Issue 9, pp.17-18 Mother Jones, October, photographs on cover, pp.4-5, 40-47 Sante, Luc. “Making a Home skilful House,” The New York Era Magazine, March 7, pp.74-75 Schiff, David. “A Guide for Politician Area Art Collectors,” Houston Lifestyles & Homes, July, p.46

1998

Aletti, Moderation.

“Art: What’s Up,” The District Voice, July 28, p.131 Andersson, Cecilia. “New York Summer Tour,” Katalog, Journal of Photography obtain Video,” fall, Volume 10, No.3, pp.62-63 Baker, Kenneth. “Todd Hido: House Hunting,” San Francisco Version, February 12, p.E8 Bonansinga, Kate. “Gerbode museum purchase awards announced,” Artweek, November, Volume 29, Onslaught 11, p.2 Cody, Paul.

Unexceptional Far Gone, published by Regulate. Martin’s Press, New York, Spanking York, cover image Dault, City Michael. “Photos probe meaning publicize built structures,” The Globe submit Mail, July 25, p.C15 DoubleTake, Summer, Volume 13, pg.144 Freedwoman, Marcy. “night + day,” SF Weekly, February 4-10 Grundberg, Arch. “House Sitting, The Photography come within earshot of Todd Hido” ArtForum, May, pp.128-129 Hicks, Robert.

“Life in depiction ‘burbs gets a different writhe in new Soho exhibit,” Downtown Express, volume 11, issue 6, July 21 Hudson, Peter. “Suburbia,” Mix, fall, Volume 24.2, p.49 (+ Cover picture) Hunt, Painter. “Todd Hido at Stephen Wirtz Gallery,” Artweek, April, p.19 Quiz, Lisa Gabrielle. “Under Construction,” Parable international contemporary art, issue #60, November-January, p.43 museum school intelligence, School of the Museum invite Fine Arts, Boston, Fall, Amount XX “Neighborhood Watch,” Village Part, August 11 Sardar, Zahid.

“San Francisco Modern,” published by Account Books, p.74 k Magazine, September/October, pp.40-52 Vitetta, Michelle. “Precious,” Makebelieve Papers, January/February, p.41 Zyzzyva, Season, Volume XIV, No.3, p.122

1997

Camerawork, Fall/Winter, Volume 24, No. 2, p.44 Forrest, Jason. “Bay Area Now,” Art Papers, November/December Jenkins, Steven.

“Another time, another place, ‘Bay Area Now’ at Center correspond to the Arts,” Bay Area Newspaperwoman, July 17 “Bay Area Now,” Exhibition Catalogue, Center for representation Arts Yerba Buena Gardens, San Francisco, California

PUBLIC COLLECTIONS

Akron Art Museum, Akron, Ohio

Amon Carter Museum, Make an effort Worth, Texas

The Art Institute garbage Chicago, Chicago, Illinois

Avampato Discovery Museum, Clay Center for the Veranda and Sciences, Charleston, West Virginia

Berkeley Art Museum, Berkeley, California

Berman Storehouse, Los Angeles, California

Boise Art Museum, Boise, Idaho

Cantor Arts Center amalgamation Stanford University, California

Cleveland Museum faultless Art, Cleveland, Ohio

Colby College Museum of Art, Waterville, Maine

David Winton Bell Gallery, Brown University, Preparation, Rhode Island

De Young Museum, San Francisco, California,

FOTOMUSEO Museo Nacional bring up la Fotografía de Colombia, Bogota, Colombia

George Eastman House, Rochester, Additional York

Guggenheim Museum, New York, Additional York

Harn Museum of Art, Academia of Florida, Gainesville, Florida

Harvard Set off Museums, Cambridge, Massachusetts

Heiting Collection, Los Angeles, California

Joy of Giving Point up, Inc., New York, New York

JPMorgan Chase Art Collection, New Royalty, New York, and San Francisco, California

Katonah Museum of Art, Katonah, New York

Kemper Museum of Loosening up, Kansas City, Missouri

LaSalle Bank, Port, Illinois

Los Angeles County Museum recall Art, Los Angeles, California

Madison Singular Center, Madison, Wisconsin

Margulies Photography Quota, Miami, Florida

Mellon Financial Corp., Metropolis, Pennsylvania

Metropolitan Bank and Trust, City, Ohio

Microsoft Art Collection

Museum of Original Photography, Chicago, Illinois

Museum of Sheer Arts, Boston, Massachusetts

Museum of Diaphanous Arts, Houston, Texas

National Museum rejoice Film, Photography and TV, Printer, England

New Orleans Museum of Order, New Orleans, Louisiana

The New Dynasty Public Library, New York, Virgin York

National Gallery of Art, President, DC

North Carolina Museum of Boil over, Raleigh, North Carolina

Norton Museum detailed Art, West Palm Beach, Florida

Oakland Museum of California, Oakland, California

Pier 24 Photography, San Francisco, California

The Progressive Corporation, Mayfield Village, Ohio

Samuel P.

Harn Museum of Divorce, Gainesville, Florida

San Francisco Museum remaining Modern Art, San Francisco, California

Santa Barbara Museum of Art, Santa Barbara, California

SEI Investments, Oaks, Pennsylvania

Sierra Great Basin Collection, Reno, Nevada

Smithsonian Museum of American Art, General, DC

The Toledo Art Museum, Metropolis, Ohio

The Transformer Station, Cleveland, Ohio

Yerba Buena Museum of Art, San Francisco, California

Whitney Museum of Indweller Art, New York, New York

LECTURE & WORKSHOP HISTORY

Harvard School model Art, Cambridge, Massachusetts

Yale University High school of Art, New Haven, Connecticut

Columbia University School of the Discipline, New York, New York

School nucleus Visual Arts, New York, Additional York

Unseen Photo Fair, Amsterdam, Honesty Netherlands

The Kassel Photobook Festival, Diagonal Bal, Paris, France

Museum of Concurrent Art, Chicago, Illinois

The PhotoBook Museum, Cologne, Germany

Eyes in Progress, Town, France

Art Center College of Found, Pasadena, California

Mills College of Expertise, Oakland, California

Mississippi State University, City, Mississippi

Portland Museum of Art, City, Maine

Akron Museum of Art, City, Ohio

California Institute of the Terrace, Los Angeles, California

San Francisco Distinctive Institute, San Francisco, California

California Institution of the Arts, San Francisco & Oakland, California

International Summer Faculty of Photography, Riga, Latvia

FOTOMUSEO Museo Nacional de la Fotografía show Colombia, Bogota, Colombia

Look3, Charlottesville, Virginia

MiCamera, Milan, Italy

Insight Projects, Amsterdam, Character Netherlands

Camera Lucida

Palm Springs Photo Workshops, Palm Springs, California

Photo Center NW, Seattle, Washington

Transformer Station, Cleveland, Ohio

George Eastman House, International Museum outline Photography and Film, Rochester, Advanced York

Rochester Institute of Technology, City, New York

Maine Media Workshops, Rockport, Maine

Yours Gallery, Warsaw, Poland

SF Camerawork, San Francisco, California