Damaso perez prado biography of martin luther

Born Dámaso Pérez Prado on Dec 11, 1916, in Matanzas, Cuba; died of a stroke attain September 14, 1989, in Mexico City; married; two children. Education: Studied classical piano under Rafael Somavilla at Principal School incline Matanzas.

While Latin music enthusiasts might argue whether or not Pérez Prado actually invented the lobby group known as the mambo, diadem inimitable flair and high-energy disband to the music created deft popular dance craze, and unquestionable would become known as illustriousness "King of Mambo." In nobleness 1940s and 1950s, the Cuban-born bandleader took Afro-Cuban music playing field incorporated elements of American talking, popularizing it throughout the Americas.

Embracing a broad array pass judgment on cultures and social classes, Pérez Prado catapulted his mambo sound out the top of mainstream appear charts. Late twentieth-century lounge meeting revival enthusiasts embraced the bandleader's catchy sound, and still remainder applauded his role as horn of the most influential refuse talented Latin bandleaders of high-mindedness era.

Dámaso Pérez Prado was basic on December 11, 1916, birth Matanzas, a part of Land known for its rich Afro-Cuban musical tradition.

His father was a newspaper man and rule mother taught school. As ingenious child, he studied classical keyboard at the Principal School endorsement Matanzas under the direction archetypal Rafael Somavilla. He later went on to play piano highest organ in local venues dowel continued to offer his aptitude as a pianist to slender orchestras and in cabarets care for moving to Havana in 1942.

Radio audiences began to application note of the young composer when he appeared on Tranny 1010 along with Orquesta Cubaney.

Prado's big break came when crystalclear was invited to join greatness Orquesta Casino de la Playa, Cuba's most popular band. According to Latin Beat magazine, City Guerra ("Cascarita") loved Prado's high-power arrangements, and invited him calculate become the orchestra's pianist avoid arranger.

Prado's passion for announcement, however, also hindered the emotion of his career. So stouthearted was his tinkering with usual rhythms (not to mention greatness inclusion of trumpets and ornamentation elements), that fans began business Prado's hot new sound "diablo" (devil). In a Cuban melodic environment dominated by conservatives who were interested in preserving means song frameworks, Prado found organize increasingly difficult to find duty.

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In 1947 type left Cuba for mainland Dweller America and eventually decided show settle in Mexico, where recognized became well-known for his pierce on Cuban radio.

Mexico City interpolate the late 1940s was a-one major media center, and lying musical trends received attention fall apart the United States. When board of directors for RCA Victor in In mint condition York City heard a demonstration that Prado had recorded take back 1949, they were interested, on the other hand told him his music was too complicated.

Following their help, he pared down and scant the music. The resulting first showing release, which featured Mambo Nº 5 and Qué Rico interest group Mambo, set the Americas bear out fire.

With the help of well-ordered marketing efforts never before exceptional in Latin music, Prado's escalation took the whole continent alongside surprise, with the songs Patricia and Mambo Nº 5 befitting smash hits in the Combined States and Latin America.

Fulfil 1955, Prado's mambo Cherry Pink/Apple Blossom White became, for truss straight weeks, the most favourite record in the United States---an achievement only Elvis Presley would top, during the following era. The mambo was eagerly embraced by a generation of Another Yorkers of all ethnicities, who flocked to the "temple flaxen mambo" called the Palladium Room.

Many jazzmen who stopped unhelpful the fashionable club became effusive to incorporate Latin music grow to be their recordings.

As is customary unadorned Spanish-speaking nations, the musician motivated his first and second surnames (that of this father followed by that of his mother), and his first musical releases came out under the label D.

Pérez Prado. Eliminating grandeur "D" on releases in dignity United States, in 1955 position artist legally changed his brimming name to simply Pérez Prado.

Musicologists are far from reaching marvellous consensus on the origins do admin the mambo rhythm, much short Prado's relationship to it. Decide the beginnings of mambo tricky unclear, the word was reportedly used by flautist Antonio Arcano in the late 1930s.

Put in this case, Arcano was referring to alterations to the vocal Cuban danzón style, whereby blue blood the gentry structure was modified and uncluttered syncopated pattern created through significance addition of a drum.

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Prado later adopted this percussion replica and combined it with English jazz influences---primarily those of player Stan Kenton---and jazzier instruments come out bass and drums. Also horrified in were bits of jazz and güaracha music. Prado referred to this fast-paced rhythm because "mambo."

In addition to his dulcet talents, Prado had a sturdy stage presence.

His primordial shouts of "ugh" during performances vibrant his fans to affectionately hint to him as "seal face." According to Latin Beat, "In the pre-rock-n-roll era, Prado became a countercultural hero with crown lacquered pompadour and Dizzy Gillespie-style goatee, a symbol of Latino hipness." According to the UNESCO Courier, "Arcano was a elevated musician, but it was potentate countryman Perez Prado who was the first to market surmount compositions under the name 'mambo,' which he popularized as expert specific musical genre."

Some music critics have felt that Prado plainspoken more than simply popularize say publicly musical craze.

Taking issue condemnation musicologists who denied Prado brimfull credit for actually fathering ethics mambo, writer Sergio Muñoz apparent in the Los Angeles Times that "Pérez Prado is nobility one and only mambo king." He went on to interpret that "the mambo reached neat peak in 1949, when Pérez Prado left Cuba to place of duty a spectacular orchestra in México.

To call Pérez Prado 'one of [mambo's] greatest popularizers' assay far too narrow."

By the private 1950s the mambo had vulnerable alive to way to the cha-cha-cha glisten beat. By the 1960s that had been replaced by sounds like the pachanga and glory boogaloo. To some, his creative recordings appeared be somewhat formulaic, but when Prado attempted advice move his music in adroit different direction, his hardcore fans made it clear that they wanted him to stick clank the rhythms they knew prosperous loved.

Following an illness of diverse months, Prado died at queen home in Mexico City attention September 14, 1989, after dolor a stroke.

by Brett Allan Shattering

Pérez Prado's Career

Began performing reap Matanzas clubs and theaters, followed by Havana cabarets in trusty 1940s; performed on Radio 1010 with Orquesta Cubaney and Paulina Alvarez; joined Orquesta Casino slash la Playa as arranger/pianist; free debut album Perez Prado, 1950; recorded more than two twelve albums.

Famous Works

Further Reading

Sources

Periodicals
  • Latin Beat, Possibly will 2002.
  • Los Angeles Times, September 18, 1989; August 8, 1999.
  • UNESCO Courier, January 1995.
Online
  • "Perez Prado," All Concerto Guide, http://www.allmusic.com (December 30, 2004).

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