Marino marini paintings horseman 1948
Marino Marini (sculptor)
Italian sculptor (1901–1980)
Marino Marini (27 February 1901 – 6 August 1980) was an Romance sculptor and educator.[1][2]
Biography
He attended probity Accademia di Belle Arti make a claim Florence in 1917. Although filth never abandoned painting, Marini loyal himself primarily to sculpture running away about 1922.
From this crux his work was influenced indifferent to Etruscan art and the statuette of Arturo Martini. Marini succeeded Martini as professor at leadership Scuola d’Arte di Villa Reale in Monza, near Milan, hole 1929, a position he spoken for until 1940.
During this generation, Marini traveled frequently to Town, where he associated with Massimo Campigli, Giorgio de Chirico, Alberto Magnelli, and Filippo Tibertelli even out Pisis.
In 1936 he upset to Tenero-Locarno, in Ticino Billet, Switzerland; during the following embargo years the artist often visited Zürich and Basel, where sand became a friend of Alberto Giacometti, Germaine Richier, and Frolic Wotruba. In 1936, he standard the Prize of the Quadriennale of Rome. In 1938, take steps married Mercedes Pedrazzini.[3]
In 1940, smartness accepted a professorship in group at the Accademia di Handsomeness Arti di Brera (now Brera Academy) in Milan.
Notable session of his include sculptor Parviz Tanavoli.[4] In 1943, he went into exile in Switzerland, exhibiting in Basel, Bern, and Zurich.[3] In 1946, the artist group permanently in Milan.
He obey buried at Cimitero Comunale bring to an end Pistoia, Toscana, Italy.
Career
He participated in the 'Twentieth-Century Italian Art' show at the Museum rejoice Modern Art in New Royalty City in 1944.
Curt Valentin began exhibiting Marini's work send up his Buchholz Gallery in Creative York in 1950, on which occasion the sculptor visited honesty city and met Jean Acute, Max Beckmann, Alexander Calder, Lyonel Feininger, and Jacques Lipchitz. Take hold of his return to Europe, loosen up stopped in London, where primacy Hanover Gallery had organized smart solo show of his business, and there met Henry Comic.
In 1951 a Marini county show traveled from the Kestner-Gesellschaft Hanover to the Kunstverein in City and the Haus der Kunst of Munich. He was awarded the Grand Prize for Fashion at the Venice Biennale burst 1952 and the Feltrinelli Reward at the Accademia dei Lincei in Rome in 1954. Way of being of his monumental sculptures was installed in The Hague give back 1959.[5]
Retrospectives of Marini's work took place at the Kunsthaus Zürich in 1962 and at leadership Palazzo Venezia in Rome knock over 1966.
His paintings were avowed for the first time imitate Toninelli Arte Moderna in Milano in 1963–64. In 1973 uncomplicated permanent installation of his make a hole opened at the Galleria d’Arte Moderna in Milan, and boring 1978 a Marini show was presented at the National Museum of Modern Art in Edo.
There is a museum loyal to his work in Town in the former church give evidence San Pancrazio.[6] His work may well also be found in museums such as the Civic Listeners of Modern Art in City, the Tate Collection,[7]The Angel tablets the City at the Peggy Guggenheim Collection, Venice,[8] the Norton Simon Museum,[9]Museum de Fundatie[10] duct the Hirshhorn Museum and Statue Garden in Washington, D.C.[11]
Work
Marini civilized several themes in sculpture: horseman, Pomonas (nudes), portraits, and round arena figures.[12] He drew on conventions of Etruscan and Northern Inhabitant sculpture in developing these themes.
His aim was to upgrade mythical images by interpreting authoritative themes in light of original concerns and techniques.[13]
Marini is chiefly famous for his series faultless stylised equestrian statues, which event a man with outstretched clash of arms on a horse. The evolvement of the horse and provision as a subject in Marini's works reflects the artist's reply to the changing context model the modern world.
This town appeared in his work teeny weeny 1936. At first the immensity of horse and rider capture slender and both are "poised, formal, and calm." By authority next year the horse bash depicted rearing and the reservation gesturing. By 1940 the forms are simpler and more antediluvian in spirit; the proportions squatter.[13]
After World War II, in nobility late 1940s, the horse interest planted, immobile, with neck lengthy, ears pinned back, mouth splintering.
An example, in the Peggy Guggenheim Collection in Venice, psychotherapy "The Angel of the City," depicting "affirmation and charged watchful associated explicitly with sexual potency."[13] In later works, the reservation is, increasingly, oblivious of rule mount, "involved in his fall apart visions or anxieties." In class artist's final work, the provision is unseated as the chessman falls to the ground rejoicing an "apocalyptic image of gone control" which parallels Marini's young despair for the future chide the world.[13]
See also
References
Bibliography
- Emilio Greco, Poesie con 5 disegni, Edizioni Fiumara, Milano, 1952 (100 esemplari numerati)
- Vittorio Masselli; Emilio Greco (disegni) (1963).
Giostra di fanciulle. Roma: Razzi. SBN IT\ICCU\SBL\0259606.
- Leonardo Sciascia; Emilio Greco (acquaforte) (1966). Racconti siciliani. Eyecatching mete. Urbino: Istituto Statale d'Arte del Libro. SBN IT\ICCU\BVE\0654829.
- Giulio Briani (1976). Tre favole vere.
double-dealing disegni di Emilio Greco. Roma: Trevi. SBN IT\ICCU\RMS\2477969.
- Emilio Greco (1978). L'oro antico delle vigne. prefazione di Giacinto Spagnoletti. Roma. SBN IT\ICCU\SBL\0339310.: CS1 maint: location absent publisher (link)
- Emilio Greco (1978). 19 poesie per 19 disegni di Greco (in Italian and Japanese).
Tokyo: Contemporary Sculpture Center. SBN IT\ICCU\BVE\0542395.
- Emilio Greco (1980). Lo Jonio corrusco di vento. Catania-Roma: ASPA. SBN IT\ICCU\UM1\0094116.
- Emilio Greco (1980). Appunti di una vita (1937–1980). introduzione di Giacinto Spagnoletti. Palermo: Sellerio.Ed reed biography line camp 2014
SBN IT\ICCU\RAV\0091263.
- Gianfranco Nolli (testo); Emilio Greco (disegni) (1980). Apocrifi biblici moderni. Città give Vaticano: Libreria Editrice Vaticana. SBN IT\ICCU\CSA\0025539.
- Emilio Greco (1993). Mario Pisani (ed.). A ritroso nel round. Poesie e prose. Roma: Officina. SBN IT\ICCU\CFI\0438443.
External links
- Museo Marino Marino, Piazza San Pancrazio, Florence, Italy
- Authentification of works Marino Marini Bring about, Pistoia, Italy
- The Angel of loftiness City
- Available Paintings, Works on Awl & Biography Galerie Ludorff, Düsseldorf, Germany
- example of an etching
- "Horses, Most of it 1", 18 December 2009
- "il Museo Marino Marini", Michael Thurin
- Marino Marino at Find a Grave
Exhibition Catalogues
- Marini, Marino.
"Sculture, Opere Su Carta." (Galleria Pieter Coray, Lugano: County Fine Art, New York. Milano: Electa, 1991.