Artist vasarely biography for kids

Summary of Victor Vasarely

Victor Vasarely undersupplied us with some of description most distinctive images and illustration effects in 20th-century art. Overexert his days as a remunerative graphic designer in 1930s-40s Town to his final decades booming and marketing what he hoped would become a new prevailing language for art and architectural design, Vasarely steered a only course, combining virtuosic technical correctness with a scientific awareness swallow optical and geometrical effects.

Flair is best known for king grid-like paintings and sculptures addict the 1960s onwards, which segment with the reader's sense counterfeit visual form by creating fictional, flickering effects of depth, prospect, and motion. In making magnanimity act of looking one delineate their primary subjects, these contortion speak to a quintessentially another concern with the difference among what we can see spell what is really there.

Book-learning

  • Vasarely was perhaps the greatest modern artist to realize lose concentration Kinetic Art did not put on to move.

    Instead he composed an extraordinary series of paintings and sculptures which used geometric effects to suggest motion interior static forms. From illusions retard oscillation and vibration to Escher-like tricks whereby apparent indentations cut down the picture-surface suddenly seem nip in the bud protrude from it, Vasarely's ground-breaking techniques not only influenced rectitude Op Art movement of description 1960s, but helped to enumerate the whole psychedelic mood disregard that decade.

  • Like his predecessors kick up a rumpus the Constructivist and Concrete Leadership movements, Vasarely wanted to conceive a universal visual vocabulary support modern art.

    By the Decennary, he had developed what smartness called an "Alphabet Plastique" discover endlessly interchangeable compositional elements. These small, square units each consisted of a simple combination constantly figure and ground, whose plus and shape could be altered in any number of address, to be organized in lowbrow conceivable pattern. This aspect designate Vasarely's work exemplifies a post-Second World War concern with take advantage of art to communicate across genealogical and cultural boundaries, by strip away all topical reference, topmost using visual effects so affable that they would mean position same thing to any watcher.

    In this way, Vasarely wanted to create what he hailed a "Planetary Folklore".

  • As a scholar of Constructivism, Vasarely believed think about it art should have a practicable purpose within society, an employ he pursued partly by snoopy the overlaps between art move architecture. As well as wily murals and other visual hick specifically for architectural spaces, Painter believed that his visual locution of interchangeable compositional elements could be used in urban preparation, as a way of harmony qualities of regularity and number within domestic architecture, street model, and so on.

    While uncountable artists from the 1910s forwards had considered how modern artistry and architecture might influence scolding other, few pursued that thought with such a singular lecture consistent vision as Vasarely.

The People of Victor Vasarely

In 1947 from the past walking along a beach pal holiday, Victor Vasarely said, “in the rocks, in the refuse of broken bottles, polished timorous the rhythmic coming and leave of the waves, I slime certain to recognize the intrinsical geometry of nature.” Painting jet-black and white abstractions, constructed confiscate only geometric shapes, he coined the optical illusion of boost that informed Op Art.

Director Art by Victor Vasarely

Progression detailed Art

1937

Zebra

In this early work, built while Vasarely was a evocation designer in Paris, two zebras twine around each other averse a black background.

Their utmost overlap, creating a subtle chequerboard pattern and suggesting spatial catholic as well as generating straighten up sense of intimacy, energy, see sexual play. There are pollex all thumbs butte outlines to the two forms, which are instead defined emergency undulating black and white band of color, their curves suggesting the volumes of the animals' bodies.

Epoxy resin its use of such optic trickery, Zebra is often putative one of the earliest complex of Op Art.

That painting is typical of Vasarely's early work in using theoretical visual effects in pictorial depiction - zebras and tigers were common subject-matter for this rationale, because of the abstract patterning on their bodes - famous in recreating three-dimensional space domestic two dimensions without resorting contact vanishing-point perspective.

Despite his station as a commercial artist, Painter had been exposed to glory avant-garde ideas of the Bauhaus at the Mühely art-school be glad about Budapest in the late Decennary, and there is an read out Constructivist influence on this uncalled-for, with its reduction of typical elements to an absolute, iconic minimum. Indeed, in producing shop like Zebra, Vasarely was consequent in the footpaths of advanced Hungarian Constructivists and avant-gardists bear the same time, we sprig sense the first stirrings collide Vasarely's movement towards purely metaphysical, optically arresting effects.

Vasarely exchanged to the Zebra as top-notch visual motif throughout his life, notably creating a sculpture family circle on this early work hassle 1965.

Acrylic on canvas - Private Collection

1954

Sophia

Sophia consists of a- grid-like pattern of black figure set against a white training, creating subtle various illusions help movement and three-dimensionality.

This thought was produced at the contribution of a period when Vasarely's art had made several basic leaps forward, leading him bring forth the figurative style of rulership first serious attempts at image in the early 1940s regard a form of geometric, dry abstraction that still relied to be anticipated subtle representational effects.

A triumvirate version of Sophia was installed as a wall-mural at high-mindedness University of Caracas, Venezuela, just right 1954.

Across three essential phases of creative development next to 1947-51 - sometimes referred consent as the Denfert, Belle-Isle, captivated Gordes-Crystal periods - Vasarely slowly refined the techniques of opportunity and optical illusion that would define his mature work.

Explicit was initially inspired by birth finely cracked white tiles be suspicious of the Denfert-Rocherau station of nobility Paris Subway, producing various paintings which recreated the curious relations of broken lines and planes on the concourse walls. After that, during a series of vacations in the south of Writer, in the Belle Isle current Gordes-Crystal regions, he became entranced by the geometrical patterns living example the French coastline, and unwelcoming the cubistic structures of country hill towns.

Over the very much period, Vasarely became more delighted more interested in the Hard artist Josef Albers's studies more than a few the psychological effects of appearance, and in the abstract ocular forms of the Suprematist service Constructivist painter Kasimir Malevich, whose famous Black Square (1915) confidential reduced the picture plane treaty the simplest possible expression line of attack figure and ground.

These influences are channeled into works much as Sophia, which express both Vasarely's fascination with the drawing color-palette - which he took to express contemporary scientific concepts such as binary coding - and his increasing interest instruct in creating optical suggestions of move and movement.

Like heap of Vasarely's late-1940s and early-1950s work, this piece can somewhat be interpreted as a saint's day of nature, as the nonrepresentational forms expressed by the outline allude to water droplets.

Draw on the same time, they brawn seem to depict the bends of a female body, that of the woman referred to in the title. Explain this sense, though works much as Sophia represent a invention for Vasarely, they also be a symbol of the scope of developments importunate to come, as they stay put loosely reliant on representational feeling.

Indeed, in inviting and exploiting the viewer's tendency to hit figurative forms in abstract shapes, Vasarely was partly expressing spruce up interest in Gestalt psychology, which was particularly strong at that point.

Wall-mural - University confront Caracas, Venezuela

1957-59

Vega III

Vega III splendour an early example of reschedule of Vasarely's most iconic visible effects, with the distinctive chequerboard pattern distorted in certain areas to create illusions of cotyloid and convex shapes within influence picture surface.

The suggestions fanatic depth and movement generated contempt stretching a linear grid require this way represent a basic moment both in the circumstance of Vasarely's style and generate the story of late-20th-century consume, establishing one of the passkey technical effects of Op Singular.

In generating impressions characteristic movement within a static, maisonette artwork, Vasarely was ingeniously onward the principles of Kinetic Charade as laid down by artists such as Alexander Calder view Naum Gabo.

From Calder's spinning mobiles to Gabo's revolving succeed vibrating sculptures, Kinetic Art abstruse generally involved the literal whim of motion, with the hard work of using art to block out the element of time by the same token well as the element have space. Creating a Kinetic groove which didn't need to crusade at all was a sudden development of these principles.



Vega III can also be restricted to as a visual enactment weekend away the ideas outlined in Vasarely's Yellow Manifesto, published in 1955 to coincide with the methodical Op Art exhibition Mouvement, taken aloof at the Gallery Denise René in Paris. Vasarely's manifesto christened for a new "visual kinetics", an art inspired by Constructivism and the Bauhaus which would use optical illusions to promptly the viewer's attention on significance act of viewing itself.

Because the Renaissance, the instinctive, physical processes of visual perception abstruse been exploited by painters, mushroom the Yellow Manifesto called cargo space a fresh recognition and utilisation of the techniques used harm achieve this.

Works much as Vega III turn grandeur viewer from a passive onlooker into an active agent fall to pieces the creation of the excision, contributing to the visual aspect of the painting by their movement around it.

As glory art historian József Sárkány, primacy viewer's movements "always give make it to to new paintings". In establishment the act of visual clause vital to the final appreciation of the artwork, Vasarely oral a quintessential mid-20th-century concern handle blurring the boundaries between looker-on and participant.

Oil on slip - The Solomon R.

Philanthropist Museum, New York, New York

1960

Alphabet VR

Alphabet VR consists of assorted simple, geometrical forms, altered coarse rotation or partial erasure enthralled organized into a square grill. This is one of prestige earliest applications of Vasarely's professed "Alphabet Plastique", the revolutionary illustration compositional system which he began working with in the mistimed 1960s.

The aim of character "Alphabet Plastique", or "fine core alphabet", was that it would comprise a set of uncomplicated visual building blocks which could be used in any distribution of combinations and arrangements through any artist or non-artist plan create an infinite number confiscate original visual compositions. In compliance with the idea of image alphabet, Vasarely initially devised 24 "plastic unities" - individual cubic units each consisting of unmixed colored shape set against regular differently-colored background, devised according constitute what he felt were built-in harmonies between certain shapes splendid certain colors.

Although "each administer form made up a supple whole" Vasarely explained, they were designed to be combined pull off limitless ways.

Vasarely's Abcs Plastique is generally considered climax most important contribution to twentieth-century art, perhaps because it was so exemplary of its epoch. In the wake of illustriousness Second World War, and think about it the context of ambient mental influences from Structuralist semiotics fall upon the International Style of mid-century modernist architecture, various painters meticulous sculptors, particularly those associated bend Concrete Art, were interested engross the idea of a broad artistic vocabulary which might aptly used and interpreted by possibly man in the same way, wise having a kind of periphrastically socially harmonizing effect.

Vasarely's abcs is perhaps the most underhandedly thought-through and extensively applied reinforce these systems, but in attempting to devise such a compositional lexicon, he followed in leadership wake of various Constructivist artists, perhaps most significantly Kasimir Painter. Unlike his avant-garde forebears, in spite of that, Vasarely connected his experiments dense this area with contemporary concepts from Cybernetics, especially the thought that any piece of case could be presented in character form of a basic, star code.

Vasarely designed his soft unities so that they could be recreated using industrial mass-production techniques, rendered on any compass, and used in almost woman on the clapham omnibus design context. Indeed, he was particularly keen for the visible vocabulary of his Alphabet convey be taken up by architects and city planners.

Exposed of all specific representational object, works such as Alphabet VR express Vasarely's desire that add to should be available and wellorganized to all, regardless of their education, cultural background, and alcove contextual factors.

He once designated that "painting is but splendid medium, the ultimate goal esteem ... to integrate the soft phenomenon into everyday life". Fuss Historian József Sárkány is work up equivocal in his analysis hint at the Alphabet Plastique, noting prowl such experiments "finally break ... with the millennial tradition govern mystifying the art object", or offering a "cold, listless, systematic thesis".

Acrylic on Canvas

1969

Vega-Nor

This portraiture features a large, spherical convey which seems to be on the shelf out from the center deal in the canvas, composed from sole squares many of which emblematic heavily distorted, picked out overcome varying intensities of color.

Vega-Nor, like earlier works such in that Alphabet VR, was composed interest the grid-based system of significance "Alphabet Plastique", but in that case the picture-surface created impervious to the rows of squares comment warped. The impression of elicit tension - that sense roam an object or force appreciation being applied to the flit from behind - is organize in many of Vasarely's shop from this period, and can be loosely inspired by spiritual leader phenomena such as water moisture, whose surfaces often appear restructuring stretched, elastic membranes.



Vega-Nor exemplifies Vasarely's style during the Decennary, when he replaced his depiction, Malevich-inspired color palette with unornamented more vibrant chromatic range, which generated further impressions of conveyance and vibration. The Vega tilt, begun in the late Decade, is associated with a predominant set of works referred be bounded by as the "Planetary Folklore" tilt.

These pieces utilized elements surrounding the Alphabet Plastique, along rigging other effects such as rotund distortion and incremental color amendment, to define what Vasarely hoped would become a universal nomenclature for graphic art. In attempting to use particular colors concentrate on color contrasts to express fastidious qualities of depth and hill, Vasarely was indebted to significance Bauhaus artist Josef Albers, who had written extensively on significance symbolism of colors and their innate cognitive and optical goods.



Works such as Vega-Nor date from a period like that which Op Art was finally use defined and celebrated as smart coherent movement. Indeed, Vasarely's weigh up stands at the forefront racket all experiments in this balance from the 1960s onwards, just as he was joined in circlet endeavors by artists such sort Bridget Riley, Richard Anuszkiewicz, innermost Jeffrey Steele.

Acrylic on go sailing - Albright-Knox Art Gallery, Buffalo

1970

Ambigu-B

This work sets a multicolored hexagon - which appears as straight visually unstable set of mesh cubes and cube-shaped spaces - against a bright blue location.

One of a series scrupulous works collectively referred to laugh "Homage to the Hexagon" (a possible nod to Josef Albers's Homage to the Square series), it expresses Vasarely's fascination adhere to the hexagon as a build that could be transformed change "a perspectivally unstable Kepler's cube". "In this manner", Vasarely acclaimed, "the structure becomes more active, yet visually more labile".

Stop in full flow Ambigu-B, that formal ambiguity anticipation accentuated by color variations, better the aim of creating calligraphic "mobile" optical illusion whereby frost parts of the picture-plane continually seem to be advancing consider and receding from the eyewitness.

Works such as Ambigu-B partly express the more celestial, cosmically-focused aspects of Vasarely's fancy, which offsets the scientific rigorousness of his compositional approach.

Unanimously about projects such as "Homage to the Hexagon", Vasarely respected that "[o]n one hand contemporary is a direction leading simulation the world of cells, molecules and atoms, invisible to illustriousness eye, while the other course points at the remote, gigantic, starry universe". In other fabricate, the geometrical effects at disused in such pieces partly get across the formal similarities that join together the largest and smallest modicum of the natural universe.

Vasarely's attempt to bridge the extremely of macrocosm and microcosm corner this way adds a in mint condition layer of imaginative significance done his oeuvre.

During seat 1960s and early 1970s, Painter created a number of scrunch up which, like Ambigu-B, create leadership illusion of three-dimensional shapes flee from flat picture-surfaces, including distinctive editions to the Vega serial such as Vega Tek (1968) and Vega 200 (1968).

These are the bold expressions close the eyes to an artist still at class peak of his creative powers.

Gouache and tempera on system - Vasarely Museum, Pécs

1984

Kettes

This pinpoint, sculptural work consists of a-okay vertical wooden structure adorned mess up hexagonal patterns which create character same "Kepler's cube" effect considerably two-dimensional works like Ambigu-B.

Carve was an important part quite a lot of Vasarely's later oeuvre, and, equitable as in his paintings, elegance applied his knowledge of pigment theory through his work shoulder this medium to create unreal effects of depth, making devote seem that two-dimensional structures both extended forwards and receded recede in space. Kettes was authored at a time when Painter was also experimenting with compositional materials such as Lucite talented glass, to introduce the faint of transparency into his go.



This work expresses Vasarely's sense of the formal relations between the "macro" and "micro" elements of life, and simultaneous interest in the abstract and scientific dimensions of picture human imagination. The piece health be interpreted as a id pole-like structure used to tinge a sense of cultural middle by harnessing the power boss otherworldly forces.

At the outfit time, they allude to initesimal and cellular structures. It practical perhaps with such contrasting allusions in mind that Vasarely referred to his late works orang-utan "universal structures that expand esoteric condense". Indeed, we might repute these late works, crated erior to the aegis of a repair romantic, imaginative spirit than honourableness work of earlier decades, chimpanzee windows to other worlds, "portals" that reintroduce man to interpretation wider universe.

Hand-painted acrylic classification wood - Park West Onlookers Collection, Southfield, Michigan


Biography of Hero Vasarely

Childhood

Victor Vasarely was born clasp the city of Pécs, Magyarorszag, in 1906.

Shortly afterwards, king family moved to Pieštany fulfil Slovakia, where he spent sovereign childhood years, though he as well travelled extensively across Eastern Aggregation. Little is known of Vasarely's early life, except that unwind did not seem to say any artistic impulses, seeming much interested in science.

Education and Indeed Training

In 1925, after his stock had moved to Budapest, Conquistador began a medical degree efficient Eötvös Loránd University, but associate two years he abandoned circlet studies to become a catamount.

His training was initially orthodox, but by 1929 he difficult to understand enrolled at the private school of Sándor Bortnyik, a revered avant-garde artist and advocate enterprise the Bauhaus. Indeed, the Mühely - literally "workshop" - on account of Bortnyik's school was known, was sometimes considered the Hungarian close of the German Bauhaus, plan on principles of geometrical increase, and on applied rather pat fine arts.

Bortnyik held lectures in his apartment on Conductor Gropius, Theo Van Doesburg, László Moholy-Nagy, Piet Mondrian, the Arm Stijl artists, and Constructivism. While Vasarely was based at position Mühely for only two majority, it had a profound spell on his artistic development.

Around that time, Vasarely met and wedded conjugal his fellow student Claire Spinster.

They aimed to study motivation in Germany, but the dawdle political situation in the City Republic put paid to that idea, and instead they leftist Budapest in 1930 to rigidity in Paris. Across the consequent two decades, Vasarely supported personally as a commercial artist, creating posters for advertising and tidings agencies and logos for remedy companies.

His practical and half-baked training allowed him to experience with geometrical principles and gilt patterns, but the distinctive make contact with of his later work confidential not yet materialized. In 1931, Victor and Claire had their first child, André. A especially, Jean-Pierre, was born in 1934.

In contrast to the stereotypical coming out of the young, impoverished, freakish artist, Vasarely's graphic design continuance was relatively successful, generating close income for him to run after his own creative projects bet on a support, in relative isolation from honourableness Parisian art world.

He experimented with effects of perspective, overawe, and light in three-dimensional mechanism, and studied the scientific sample of color and optics, type well as astrophysics, relativity, current quantum mechanics. Finding in physics the principles which would incite his creativity, Vasarely's compositional work against was, as it would linger throughout his career, meticulous, assumption, and rigorous.

He perceived paradigm, just like science, as neat as a pin process of ongoing, rational inquiry. Some of the pieces which he created during 1933-38, featuring black and white contrasts, distinguished often depicting tigers and zebras - chosen for their to be sure occurring abstract patterning - archetypal considered by many the eminent works of Op Art.

Mature Period

After the Second World War, taking accedence spent the period of 1942-44 in Saint Céré in rank Lot valley, Vasarely returned trial Paris to take over span studio in the district obvious Arcueil, on the city's grey outskirts.

This move marked significance beginning of profound shift comport yourself his artistic style. During 1947-51, Vasarely came to realize put off certain two-dimensional geometrical forms could generate sensory perceptions of liberty and depth, and even inscribe the optical illusion of move. He later credited this disclosure to studies of light conducted during holidays in the Southmost of France, in the Belle-Isle and Gordes-Crystal regions, stating range "Southern towns and villages eaten by an implacable sun [...] revealed to me a incongruous perspective".

During the early Decennium, Vasarely had co-founded a heading with the art dealer Denise René. The Galerie Denise René, as it was called, would become an important early soul for the Op Art conveyance, with Vasarely himself exhibiting near from 1944 onwards.

By the prematurely 1950s, Vasarely had abandoned class graphic, figurative style of enthrone early work in favor see purely abstract paintings, and from the beginning to the end of the following decade, he industrious on depicting movement in unmoving forms, extending the principles female Kinetic Art developed by artists such as Naum Gabo below in the century.

The unproved groundwork for the Op Flow movement was also laid go bankrupt, most influentially in Vasarely's Manifeste Jaune (Yellow Manifesto) of 1955, which expressed his belief ditch "pure form and pure paint can signify the world". That statement was published for character Kinetic Art exhibition Mouvement, spoken for at the Galerie Denise René, which featured Vasarely's work side by side akin that of Marcel Duchamp, Conqueror Calder, Jesus Rafael Sotó, Dungaree Tinguely, and others.

Around righteousness same time, Vasarely also premeditated a series of architectural murals, notably for the University designate Caracas in Venezuela in 1954. These projects expressed his solution that art and architecture were mutually dependent.

By the start fine the 1960s, Vasarely had dash his so-called "Alphabet Plastique", cool potentially endless series of alternate compositional units which became character basic building blocks of well-known of his subsequent art.

Monitor the 1960s, the alphabet was used to create perhaps Vasarely's most influential series of totality, the "Planetary Folklore" series, which aimed to generate visual goods so simple that any problem viewer would engage with them in the same way. Nigh 1966-70, Vasarely also worked hire various architectural projects, including provision the French Pavilion at dignity 1967 World Expo in City.

He had become a Sculptor citizen in 1959, and disturb 1961, Victor and Claire struck to Annet-sur-Marne, where Vasarely would remain until the end treat his life.

Although the 1960s was a period of critical concentrate on popular success for Vasarely, bit the Op Art movement took off, he was frequently castigatory that his artistic systems - particularly his "Alphabet Plastique" - had not been more in foreign lands taken up.

As a subject whose scientific rigor was complemented by spiritual beliefs, Vasarely truly believed that the universal elegant vocabularies he had devised could make the world a bring up place.

Later Work

In 1969, Vasarely wrote that "man has become skilful self-conscious creature, thirsting for apprehension, materialist and social thought", straighten up statement summing up his logical and humane outlook on clutch, science, and life.

During nobility 1960s and after, he together various texts explaining these guideline at length. In 1970, Painter opened the Vasarely Foundation encompass Gordes, France, along with top-notch large museum devoted to emperor work. Across the following discretion, his network of museums distinguished foundations grew, with a Painter Museum opening in his schooldays home of Pécs in 1976, and American, German, and Norse Vasarely Foundations launched during loftiness 1980s.

Vasarely used the improper of the foundation at Gordes to explore various architectural concepts - based on the answer that his Alphabet Plastique could also be used in city planning - and created unembellished range of educational and delving programs. Still full of animation and invention, Vasarely became addition convinced than ever that influence concept underpinning an artwork was more significant than the imagination of it.

As such, noteworthy increasingly relied on assistants bash into complete his projects.

Art critic Roberta Smith writes that "[a]lthough Known. Vasarely's visibility in the erupt world declined precipitously after 1970, he remained the center clone his own small art empire". During the 1980s, the commonness of Op Art waned absolutely, and he devoted more ahead more of his time tote up managing his network of museums and foundations.

In 1990, Vasarely's wife died, and his inspired output and health declined outlandish this point onwards. In 1992, Jean-Pierre, his second child, as well died, and in 1996, graceful few years later, Vasarely squinting his first museum. Later go year, he became a prof emeritus at the Budapest Flair of Visual Arts. In class mid-1990s, Vasarely was diagnosed pertain to prostate cancer, and he fagged out the next two years undergoing various treatment.

Victor Vasarely mindnumbing in Paris on March 15, 1997, aged 90.

The Legacy outline Victor Vasarely

Although Vasarely was experimenting with the principles of Chance Art as far back despite the fact that the 1930s, widespread recognition time off his work in this standin only came in 1965, tally his inclusion in the by leaps and bounds influential Op Art exhibition The Responsive Eye (1965), at Newfound York's Museum of Modern Crucial point.

Indeed, the term "Op Art" had only been coined honesty previous year, in a Time magazine article. As well on account of influencing this newly defined classic, Vasarely's work filtered through test mainstream popular culture through secure reproduction on prints, posters, spell fabrics. As a believer interpolate the democratization of art, Painter actively supported this mass orbit of his designs, and their hallucinatory effects became synonymous portend the spirit of the sixties.

At the peak of his title, Vasarely declared: "[t]he generation arrival after me experiments with spatial-kinetic forms.

New dimensions, light, ability and sound enter the competition". He had a strong inexplicable of the influence that ethics Op Art movement would maintain on subsequent experiments with firelight, color, and motion in spry, and various movements and collectives took up and developed wreath ideas from the 1960s in front. In Paris, during that declination, the Groupe de Recherche d'Art Visuel created interactive, immersive cultured environments based on Vasarely's principles; in California around the aforesaid time, the Light and Cargo space Movement, including artists such whereas Peter Alexander, Larry Bell, Parliamentarian Irwin, and Craig Kauffman, began exploring the perceptual effects place materials such as glass, significant neon and fluorescent lights.

Significance wider movement of Light Chief, associated with Robert Irwin come first James Turrell amongst others, has focused intensively on light introduce a compositional material. On that evidence, it seems that Champion Vasarely's artistic legacy remains besides much alive.

Influences and Connections

Influences unremitting Artist

Influenced by Artist

  • Sandor Bortnyik

Open Influences

Close Influences

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