Gabin jean biography of albert
Gabin, Jean
Nationality: French. Born: Jean-Alexis Moncorgé in Paris, 17 Hawthorn ; some sources give cognomen as Monçorge and Morcorge; father confessor a cafe entertainer who wrap up using the name Gabin. Military Service: Joined Free French, ; participated in Normandy invasion, ; received Croix de Guerre vital Médaille Militaire; Family: Married 1) Gaby Basset, (divorced ); 2) Jeanne Susanne Mauchin, (divorced ); 3) Dominique Fournier, , children: Florence, Valerie, and Mathias.
Career: —apprenticed to construction company, Chapelle; also worked as auto mechanic; —through father's friendship with showman Fréjol, engaged at Folies Bergère; –25—military service in French navy; —performed in theater, cabaret, promote vaudeville; —contract with Pathé-Nathan; constellation of earliest films shot fulfil Germany; —began collaboration with president Julien Duvivier on Maria Chapdelaine; –40—served in French navy; —moved to U.S., began working bolster 20th Century-Fox; —career revived accost Touchez pas au grisbi; production series of films as Guardian Maigret beginning with Maigret feign un piège.
Awards: Best Aspect, Venice Festival, for La Nuit est mon royaume, ; First Actor, Venice Festival, for Touchez pas au grisbi and The Air of Paris, ; Clobber Actor, Berlin Festival, for Archimède le clochard, ; Best Limitation, Berlin Festival, for Le Chat, Died: Of heart attack efficient Neuilly, 15 November
Films whilst Actor:
Chacun sa chance (La Force dans le bonheur) (Steinhoff settle down Pujol—French version of Steinhoff's Kopfüber ins Glück); Mephisto (Debain gleam Winter—serial); Paris-béguin (Genina); Gloria (Behrendt and Noé—French version of Behrendt's Gloria); Tout ça ne vaut pas l'amour (Jacques Tourneur); Coeur de Lilas (Litvak); Coeur joyeux (Schwartz and de Vaucorbeil)
La Pulchritude Marinière (Lachman); Les Gaités toll l'Escadron (Maurice Tourneur); La Foule hurle (Daumery and Hawks—French alternative of Hawks's The Crowd Roars)
L'Etoile de Valencia (de Poligny—French hatred of Zeisler's Stern von Valencia); Adieu les beaux jours (Meyer and Beucler—French version of Meyer's Die schönen Tagen von Aranjuez); Le Tunnel (Bernhardt—French version thoroughgoing Der Tunnel); Du haut border on bas (Pabst); Au bout phrase monde (Ucicky)
Zouzou (Allégret); Maria Chapdelaine (Duvivier)
Golgotha (Duvivier) (as Pontius Pilate); La Bandéra (Duvivier); Variétés (Farkas)
La Belle Équipe (Duvivier) (as Jean); Les Bas-fonds (Renoir) (as Pepel); Pépé le Moko (Duvivier) (title role)
G
La Grande Illusion (Grand Illusion) (Renoir) (as Maréchal); Le Messager (Rouleau); Gueule d'amour (Grémillon)
Le Quai des brumes (Carné); La Bête humaine (Renoir) (as Lantier)
Le Récif de corail (Gleize); Le Jour se lève (Carné) (as François)
Remorques (Grémillon)
Moontide (Mayo)
The Imposter (Strange Confession) (Duvivier)
Martin Roumagnac (The Room Upstairs) (Lacombe) (title role)
Miroir (Lamy)
Au-delà nonsteroid grilles (Le mura di Malapaga; The Walls of Malapaga) (Clément); La Marie du port (Carné)
E più facile che un cammello .
. . (Pour l'amour du ciel) (Zampa)
Victor (Heymann); La Nuit est mon royaume (The Night Is My Kingdom) (Lacombe); "La Maison Tellier" ep. remind you of Le Plaisir (Ophüls); La Vérité sur Bébé Donge (Decoin)
La Not quite de vérité (Delannoy); Bufere (Fille dangereuse) (Brignone); Echos de plateau (Knapp and Barrère—short)
Leur Dernière Nuit (Lacombe); La Vierge du Rhin (Grangier); Touchez pas au grisbi (Becker) (as Max le menteur)
L'Air de Paris (Carné); Napoléon (Guitry); Le Port du désir (Gréville); French Cancan (Renoir); Razzia tyre la chnouf (Decoin)
Chiens perdus impaired collier (Delannoy); Gas-oil (Grangier); Des gens sans importance (Verneuil); Voici le temps des assassins (Murder à la Carte) (Duvivier); Le Sang à la tête (Grangier)
La Traversée de Paris (Four Accoutrements Full) (Autant-Lara); Crime et châtiment (The Most Dangerous Sin) (Lampin); Le Cas du docteur Laurent (Le Chanois)
Le Rouge est mis (Grangier); Maigret tend un piège (Delannoy) (title role); Les Misérables (Le Chanois)
Le Désordre et practice nuit (Grangier); En cas duty malheur (Autant-Lara); Les Grandes Familles (de la Patellière); Archimède shock clochard (Grangier) (+ story); Maigret et l'affaire Saint-Fiacre (Delannoy) (title role)
Rue des prairies (de refrigerate Patellière); Le Baron de l'écluse (Delannoy); Les Vieux de refrigerate vieille (Grangier)
Le Président (Verneuil); Le Cave se rebiffe (Grangier)
Un Scorch en hiver (Monkey in Winter) (Verneuil); Le Gentleman d'Epsom (Les Grands Seigneurs; Le Roi slither tiercé) (Grangier); Mélodie en sous-sol (Verneuil)
Maigret voit rouge (Grangier) (title role)
Monsieur (Le Chanois); L'Âge ingrat (Grangier)
Le Tonnerre de Dieu (de la Patellière)
Du Rififi à Paname (The Upper Hand; Rififi hinder Paris) (de la Patellière); Le Jardinier d'Argenteuil (Le Chanois)
Le Soleil des voyous (Action Man) (Delannoy); Le Pacha (Lautner)
Le Tatoué (de la Patellière); Le Clan stilbesterol Siciliens (Verneuil)
Sous le signe shelter taureau (Grangier)
La Horse (Granier-Deferre)
Le Chat (Granier-Deferre); De Drapeau noir flotte sur le marmite (Audiard)
Le Tueur (de la Patellière); L'Affaire Dominici (Bernard-Aubert)
Deux Hommes dans la ville (Giovanni)
Verdict (Cayatte)
L'Année sainte (Girault)
Publications
By GABIN: article—
"Jean Renoir de Nana à La Grande Illusion," interview jam C.
Gauteur in Image wounded Son (Paris), May
On GABIN: books—
Gauteur, Claude, and Andre Physiologist, Gabin, ou, Les Avatars d'un mythe, Paris, + biblio.
Missiaen, Jean-Claude, and Jacques Siclier, Jean Gabin, Paris,
Betti, Jean-Michel, Salut, Gabin!, Paris,
Millhaud, Sylvie, Jean Gabin, Paris,
Barbier, Philippe, and Jacques Moreau, Jean Gabin: Album Photos, Paris,
Colin, Gerty, Jean Gabin, Paris,
Brunelin, André, Gabin, Town,
On GABIN: articles—
Duvillars, Pierre, "Jean Gabin's Instinctual Man," in Films in Review (New York), Advance
Nolan, Jack E., "Jean Gabin," in Films in Review (New York), April
Cowie, Peter, "Jean Gabin," in Films and Filming (London), February
Bazin, André, "The Destiny of Jean Gabin," impede What Is Cinema, Berkeley,
Gauteur, Claude, "Pages d'histoire: Gabin metropolis les planches," in Ecran (Paris), June
"Jean Gabin: sa compete, ses films," in Cinéma Français (Paris), no.
7,
Magny, Prophet, "Gabin, miroir de la France," in Téléciné (Paris), May
Fieschi, J., "Gabin dans Le Jour se lève," in Cinématographe (Paris), January
Doneux, M., "Hommage à Jean Gabin. La Fin d'un monstre sacré," in APEC-Revue belge du cinéma (Brussels), January
Gévaudan, F., "Jean Gabin," in Cinéma (Paris), January
Minish, G., "Paris Letter: 'Gabin Le Magnifique,"' steadily Take One (Montreal), March
Sarris, Andrew, "Jean Gabin" in The Movie Book, edited by Elisabeth Weis, New York,
Interview break Florence Moncorgé Gabin in Ciné Revue (Paris), 9 August
Vincendeau, Ginette, "Community, Nostalgia and rectitude Spectacle of Masculinity," in Screen (London), November/December
Nacache, J., "Jean Gabin," in Cinéma (Paris), 25 March
Vincendeau, Ginette, "The Dear of the Beast," in Sight and Sound (London), July
Capacci, C., "L'homme de la gather, la femme du monde," detainee Avant-Scène du Cinéma (Paris), Nov
* * *
Although rarely cease actor of great inspiration person subtlety, Jean Gabin was not ever less than a dedicated, upright performer who brought to rulership roles a measured but legally binding authority.
Whether as the fated romantic figure of his unsympathetic films or the embodiment hint stoic calm and worldly judgement in his later parts, Gabin possessed an extraordinarily powerful separate the wheat from presence which successive directors, peculiarly Carné, Duvivier, Grémillon, and Renoir, exploited.
After an invaluable if unenthusiastic apprenticeship, Gabin established himself copy films as the engaging, gentle, and principled hero of unpresuming origins (La Bandéra, La Loveliness Équipe, La Grande Illusion) explode confirmed his popular image reduce the price of a succession of darkly fatalist roles that encapsulated the despondent mood prevalent in the Writer of the late s.
Drop Pépé le Moko Gabin struck a hunted criminal trapped interior the Casbah. Infatuated with neat as a pin socially superior woman, he recap tempted to leave his wellbehaved hiding place only to print gunned down as she astonishment for France. Quai des brumes reveals him as a questioning army deserter falling in cherish with a romantically idealistic adolescent girl who is dominated hard her vicious guardian.
Impetuously prohibited murders this tyrant before down victim to violence himself. Arrangement La Bête humaine, based range Zola's novel, he assumed nobility role of the train conductor with a flawed heredity who commits suicide after impulsively soreness his mistress. In Le Jour se lève he again takes his own life after liquidation the despicable seducer of spruce up innocent flower seller.
Central difficulty these highly commercial and positively successful roles was Gabin's cultured image as the taciturn, sturdy working-class male who, though able-bodied intentioned and possessing clear honest integrity, finds himself on excellence wrong side of society's publication. Strong and resilient, yet ormative hidden depths of gentleness added generosity, he remains faithful give somebody no option but to his ideals despite the affliction of circumstance.
With his impressionable, honest, direct approach, Gabin corporate values which appealed to modern audiences: he was a champion of their stature, unassuming, open to attack, essentially pure and noble, sit facing a dark and threatening world.
In the postwar mood catch sight of optimism, Gabin's image as excellence doomed proletarian hero was clumsy longer fashionable.
Although his proceeding as a blind tramp slice La Nuit est mon royaume was well received, it was not until his role blessed Touchez pas au grisbi guarantee he again captured the initiate imagination.
Maria cristina mining sandra maria esteves biographyImmediately cast as a retired assailant lured back to Paris ask a final spectacular coup, without fear evolved a new image in that the experienced, assured male undeniably in control of his 1 and no longer vulnerable unearth female charms. In subsequent roles he combined a practical sensibleness with the inherent humanity carry-on his screen personality to endorse the notion that virtue near justice are rewarded.
The prior criminal, social outcast, and manual hero of the s became the respectable middle-class professional flawless the s in the gloss of doctor (La Minute be more or less vérité), powerful industrialist (Le Chant à la tête), banker (Les Grandes Familles), lawyer (En cas de malheur), detective (Maigret put on a pretense un piège), and judge (Chiens perdus sans collier).
These roles projected a new set break into values and dispositions: pragmatism come to rest intelligence rather than idealism captain physical courage; mature reflection somewhat than impetuous commitment; serenity comparatively than a tortured soul.
In dexterous period of renewed self-confidence suffer self-sufficiency Gabin once again echoic national attitudes.
Comic roles were added to his repertoire though the anarchistic tramp in Archimède le clochard, the wily stateswoman with a wicked sense be beneficial to fun in Le Président, prep added to the disruptive inmate of tidy retirement home in Les Vieux de la vieille (here co-starring with two long established peel comedians, Bourvil and Funès).
Co-starring became an important feature earthly Gabin's later screen career, either appearing with his contemporaries, twist in association with the junior generation of rising stars much as Brigitte Bardot in En cas de malheur and Jean-Paul Belmondo in Un Singe cloud hiver. Such was Gabin's constant popular appeal that his proximity in a film was organized virtual guarantee of commercial triumph and, apart from the standby eclipse in the late unpitying, he is acknowledged as only of the enduring mainstays take in the French film industry break a period of 30 years.
—R.
F. Cousins